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Random Star Wars Thoughts

The Cat

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Wow! It's even worse than I thought. I haven't seen those films but they have a dark reputation.
I always imagine his "creative process" is something like this.
My inner child is represented in this instance by Willie Scott, while Indy is my years and mileage telling me it aint gonna be that kinda movie kid, and short round is my inner child's sense of self preservation telling me to cover my heart before watching.​
 
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I always imagine his "creative process" is something like this.
My inner child is represented in this instance by Willie Scott, while Indy is my years and mileage telling me it aint gonna be that kinda movie kid, and short round is my inner child's sense of self preservation telling me to cover my heart before watching.​
Ah, the scene that inspired a whole new rating.

I am certain that Harrison Ford demanded that his character be killed off as a precondition for coming back for TFA. Of course, then he came back for ROS, so I don't know.

I was optimistic about Disney taking things over and thought they could improve on some of Lucas's shortcomings. I wanted to see what they would come up with for a new timeline (lol, they just ripped off of the old timeline but made it shitty). I was excitedly thinking of all these places they could go, all these things they could do, which were of course much more imaginative than way we got.

So I watched TFA in 2015. Watching it bummed me out but I couldn't figure out why. Most people seemed to love it. TFA is like the Acolyte; the more I thought about it, the more time has passed and the more it pisses me off. This film ruined Han's Solo's character arc just so we go back to the OG Han Solo (because character growth is for wusses). This depressed me, because it's depressing to see someone in their 60s/70s and doing that kind of thing, when they could have had a better life. The movie really strikes me as pandering to the kinds of annoying and sometimes toxic fans that were a staple of the online communities when they were making the prequels. Hence, we get no context for anything that has been going on in the galaxy for the past 30s, because that would be space politics and we all know how totally lame those are (even though people seemed to like Dune).

ROS pandered to the millenial equivalent of those fans. Every stupid suggestion or criticism I saw people make on Reddit wound up in that fucking movie.
I maintain that TLJ is the only good film of the sequel trilogy. It's the only one that doesn't pander to toxic fans, and the only one that tries to surprise you. Perhaps it isn't perfect, but I felt like Johnson was actually trying to do something new, and I felt like he actually did respect legacy of the characters. People make too much of what goes on with Luke. People mess up and become a shell of what they used to be because of fear, guilt, and shame. It happens. At least we get to see him doing something heroic at the end in a way that actually feels triumphant; contrast with Han's death in TFA. While I would have loved to have seen Grandmaster Luke from the EU, this was good, too, and actually resonated with me personally.

Solo was kind of lame because it had a bad case of prequelitis, although the casting was actually good. Rogue One was excellent, and is the other good Disney Star Wars movie. One reason I love it is that it didn't run away from giving you an epic space battle. People show up for these things; the come for the epic space battles and the epic lightsaber duels, not people prancing around on ponies on a spaceship hull.

The Mandalorian was good for the first season or two before Baby Yoda took over. Andor was interesting. Everything else doesn't need to exist.

Disney made some good things along the way (by accident, it seems), but I highly doubt their ability to make good things going forward. Exhibit A: The show about space goonies coming up.

I'm not even feeling optimistic about Andor Season 2; I worry about more prequelitis. I'll watch it but I don't expect a hell of a lot.
 
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The Cat

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Ah, the scene that inspired a whole new rating.

I am certain that Harrison Ford demanded that his character be killed off as a precondition for coming back for TFA. Of course, then he came back for ROS, so I don't know.

I was optimistic about Disney taking things over and thought they could improve on some of Lucas's shortcomings. I wanted to see what they would come up with for a new timeline (lol, they just ripped off of the old timeline but made it shitty). I was excitedly thinking of all these places they could go, all these things they could do, which were of course much more imaginative than way we got.

So I watched TFA in 2015. Watching it bummed me out but I couldn't figure out why. Most people seemed to love it. TFA is like the Acolyte; the more I thought about it, the more time has passed and the more it pisses me off. This film ruined Han's Solo's character arc just so we go back to the OG Han Solo. This depressed me, because it's depressing to see someone in their 60s/70s and doing that kind of thing, when they could have had a different kind of life. The movie really strikes me as pandering to the kinds of annoying and sometimes toxic fans that were a staple of the online communities when they were making the prequels. Hence, we get no context for anything that has been going on in the galaxy for the past 30s, because that would be space politics and we all know how totally lame those are (even though people seemed to like Dune).

ROS pandered to the millenial equivalent of those fans. Every stupid suggestion or criticism I saw people make on Reddit wound up in that fucking movie.
I maintain that TLJ is the only good film of the sequel trilogy. It's the only one that doesn't pander to toxic fans, and the only one that tries to surprise you. Perhaps it isn't perfect, but I felt like Johnson was actually trying to do something new, and I felt like he actually did respect legacy of the characters. People make too much of what goes on with Luke. People mess up and become a shell of what they used to be because of fear., guild, and shsame. It happens. At least we get to see him doing something heroic at the end in a way that actually feels triumphant; contrast with Han's death in TFA. While I would have loved to have seen Grandmaster Luke from the EU, this was good, too, and actually resonated with me personally.

Solo was kind of lame because it had a bad case prequelitis, although the casting was actually good. Rogue One was excellent, and is the other good Disney Star Wars movie. One reason I love it is that it didn't run away from giving you an epic space battle. People show up for these things for the epic space battles and the epic lightsaber duels, not people prancing around on ponies on a spaceship hull.

The Mandalorian was good for the first season or two before Baby Yoda took over. Andor was interesting. Everything else doesn't need to exist.

Disney made some good things along the way (by accident, it seems), but I highly doubt their ability to make good things going forward. Exhibit A: The show about space goonies coming up.

I'm not even feeling optimistic about Andor Season 2; I worry about more prequelitis. I'll watch it but I don't expect a hell of a lot.
Star Wars is just a reskin of a better story. But its filtered through a fun and funky space opera aesthetic. It's bug nuts and beautiful on account. A Corporation like Disney is essentially the jerky son of the realestate developer who comes to the hole in the wall ski slope who's dad plans to turn the community center into luxury hotel. They've seen you nerds enjoying something beautiful so they have to come and try to take it from you, so they can break it and frankenstein it into something legally distinct and try to sell it to someone else. Tale as old as time. Honestly the thing that helped me stop being hurt by star wars is getting into a star wars ttrpg, and writing my own sagas for people to play in and develop the galaxy in our own(better) way. You might find some peace in the force that way yourself, at least find a game to play in. or do what the rest of us do and write secret erotic fanfic that get's waaaay to intense for public consumption.
 
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Star Wars is just a reskin of a better story. But its filtered through a fun and funky space opera aesthetic. It's bug nuts and beautiful on account. A Corporation like Disney is essentially the jerky son of the realestate developer who comes to the hole in the wall ski slope who's dad plans to turn the community center into luxury hotel. They've seen you nerds enjoying something beautiful so they have to come and try to take it from you, so they can break it and frankenstein it into something legally distinct and try to sell it to someone else. Tale as old as time. Honestly the thing that helped me stop being hurt by star wars is getting into a star wars ttrpg, and writing my own sagas for people to play in and develop the galaxy in our own(better) way. You might find some peace in the force that way yourself, at least find a game to play in. or do what the rest of us do and write secret erotic fanfic that get's waaaay to intense for public consumption.
...................................
 
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Star Wars is a large canvas for the imagination; it's so much bigger in both space and time than so many other fictional worlds. There are so many things you could do with it which is what makes the crap that Disney made so infuriating.
 

The Cat

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Star Wars is a large canvas for the imagination; it's so much bigger in both space and time than so many other fictional worlds. There are so many things you could do with it which is what makes the crap that Disney made so infuriating.
Corporations don't create. They devour. You might as well ask the Sarlaac to write your next triliogy.
 

The Cat

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Though the sarlaac probably consumed better writers than disney did.
 
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A spirit of water and an unquenchable flame. What happens when they meet? Can either of them ever be tamed?
 
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The male who falls to the dark side would be water, and the female who stays true would be fire.

Fire often carries with it destructive connotations in stories like this, and is thus associated with evil or a susceptibility to it. Water can be destructive, too, however. The deluge, drowning, dissolution, rot, erosion, etc. Water is not always a life-giving element.

Darth Cadeus related to the force as a crystal or series of crystals. He is obsessed with the idea of removing all impurities from the Force so that the Force can shine brighter. It's analogous to quartz crystals, which are dimmed and colored by the presence of impurities. This could be seen as making the crystals more beautiful, as Cadeus might have as a youth, or ruining and polluting them.
 
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The Cat

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The male who falls to the dark side would be water, and the female who stays true would be fire.

Fire often carries with it destructive connotations in stories like this, and is thus associated with evil or a susceptibility to it. Water can be destructive, too, however. The deluge, drowning, dissolution, rot, erosion, etc. Water is not always a life-giving element.

Darth Cadeus related to the force as a crystal or series of crystals. He is obsessed with the idea of removing all impurities from the Force so that the Force can shine brighter. It's analogous to quartz crystals, which are dimmed and colored by the presence of impurities. This could be seen as making the crystals more beautiful, as Cadeus might have as a youth, or ruining and polluting them.
I typically find they use fire to symbolize change, purification, tempering, forging, creation, great change, sometimes violent and extreme change, but I don't think it implies destructive. The human obsession with fire is often billed as foolish and ultimately destructive, but the onus is on the fire bug and not the fire. Typically not gendered or billed with aspects of both.

Water is more subjective and much like its physical aspects, metaphorically it flows to take the shape of its container. Water is often billed as a source of life, patient and relentless, yet rushing and meandering. Graceful tranquility, mysterious depth, dangerous, willful, and keeper of secrets. Typically personified as feminine with regards to the sea, yet can be masculine or feminine with reference to rivers and lakes.

Whether one would be water or fire, depends on the specifics of the "fall" aye and even if it were properly a fall, and not more of a dive.

I'd argue than Anakin didnt fall so much as dive, even ben solo sort of just jumped in with both feet. You see more of the "fall" in some of the book series, most notably the Jedi Academy Trilogy by Kevin J Anderson. You can experience it in some of the games depending on how you play them. You definitely see it in the old First Sith, and Pre Sith stories when the jedi were still allowed to be written as just regular people who learn to use the force and become knights with laser swords, but not have to pretend to be celibate monks. yeah then you got organic falls. Otherwise it seems like folk just reached their Fuck it, I'm going for it moment, however it may manifest.

the crystal metaphor might work, but it would need the aspect of does removing the color from the crystal truly purify it, or does it simply drain it of what made it special? I'm assuming that's going to feature in the series your reading soon enough. Regarding the books. I didnt get past Chewie. I should maybe change that next year if we're still allowed to read books.

But come come, tell your ol pal the Cat, tell us, what made you think of the metaphore in your post? Im fascinated and wish to know more.
 
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I typically find they use fire to symbolize change, purification, tempering, forging, creation, great change, sometimes violent and extreme change, but I don't think it implies destructive. The human obsession with fire is often billed as foolish and ultimately destructive, but the onus is on the fire bug and not the fire. Typically not gendered or billed with aspects of both.

I'm thinking about, for insistence, in Tolkien's work, the Vala Aule, whose Maiar tend to be corrupted. There is also the pop culture conception of hell as a place full of flames. Of course, looked at in a certain light, the sun and stars are also flame, and this means that fire is life-giving as well. I'm considering having "Fire" to have any affinity with reptiles, even, but that might be too Harry Potter.
Water is more subjective and much like its physical aspects, metaphorically it flows to take the shape of its container. Water is often billed as a source of life, patient and relentless, yet rushing and meandering. Graceful tranquility, mysterious depth, dangerous, willful, and keeper of secrets. Typically personified as feminine with regards to the sea, yet can be masculine or feminine with reference to rivers and lakes.
There is a boulevard in Philadelphia called the Benjamin Franklin Parkway. It terminates in the art museum, which is where the famous Rocky (haven't seen this film so I'm not responsible for what's in it, I'm just trying to help people picture this) steps are. There is a fountain with statues meant to represent the larger rivers and streams. One is personified as male; I believe that would be the Delaware river.
Whether one would be water or fire, depends on the specifics of the "fall" aye and even if it were properly a fall, and not more of a dive.

I'd argue than Anakin didnt fall so much as dive, even ben solo sort of just jumped in with both feet. You see more of the "fall" in some of the book series, most notably the Jedi Academy Trilogy by Kevin J Anderson. You can experience it in some of the games depending on how you play them. You definitely see it in the old First Sith, and Pre Sith stories when the jedi were still allowed to be written as just regular people who learn to use the force and become knights with laser swords, but not have to pretend to be celibate monks. yeah then you got organic falls. Otherwise it seems like folk just reached their Fuck it, I'm going for it moment, however it may manifest
That's true with Anakin in the prequels, certainly.
the crystal metaphor might work, but it would need the aspect of does removing the color from the crystal truly purify it, or does it simply drain it of what made it special? I'm assuming that's going to feature in the series your reading soon enough. Regarding the books. I didnt get past Chewie. I should maybe change that next year if we're still allowed to read books.

But come come, tell your ol pal the Cat, tell us, what made you think of the metaphore in your post? Im fascinated and wish to know more.
Let me clarify: I'm not reading any Star Wars books now. This is about my fanfiction, which rips off elements I like from both canon and legends. I sometimes retain names as placeholders. I have the canon characters as basic templates but I want to do different things with them. The female was abandoned by her parents as a girl and is now an eccentric Jedi Master who prefers to work on her own. The male is a stormtrooper who becomes a jedi. The two become great friends with a powerful bond but the male joins the dark side, only to be redeemed in the final film. I'm quixotically trying to improve on both the sequel and the prequel trilogy.

I think the hardest thing is handling how and why Water/Finn joins to the dark side. I want that element of tragedy, but I ultimately want a happy ending that's not Redemption Equals Death. I don't know how I can pull that off.

The Fire/Water/Crystal thing is not just a metaphor. It reflects the force abilities of these characters and how they see and conceptualize the Force, their philosophies and nature as Jedi/Sith, so to speak. I'm stealing that from Light of the Jedi.

Last night I was doing my laundry and thinking about how in an outline I made not that long ago, I described these characters as having unique force abilities that reflected, echoed, or complemented each other that nobody else could do. That was another placeholder. I didn't know how to get at specifics. Then I started thinking about the elements; I liked how they symbolized power, power that was potentially uncontrollable . I liked water and fire, but I didn't want the implication that water could extinguish fire.

Later I decided that having fire as male and water as female was a cliche, and that it would be more interesting to do it the other way around. I want this story to inspire hope, though. Jyn/Fire is intended to represent a powerful flame illuminating the galaxy, though she fears losing the galaxy. She will perhaps have to make tough choices that force her to grapple with these fears.

Darth Cadeus/Jacen Solo/Ben Solo isn't a Vader fanboy, but a Palpatine fanboy. He sees Vader as weak, who didn't have the strength to commit to the path he had chosen. Removing the impurities doesn't actually make it better. Consider an amythest, which I would consider beautiful. That purple color is only present because of impurities. Maybe he has come to see the Jedi as a source of impurities in the Force that need to be removed from it, for not fitting into his ordered vision, and for permitting disorder (multiple persepectives other than just one). This could also be integrated with the concept of Kyber crystals.

I have a few E-books, but most of them are physical (I have too much, really). Let them come and take them.
 
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I watched Andor Episode 2. I like this show more than the first time, now that I understand that it's working off of something that had already been built. I wasn't sure how I felt about Andor and the Rebels being depicted as being ruthless, but we see this in Rogue One as well.

This show is about the people who built the rebellion when there was no reason to believe it would ever succeed. I would imagine they can't dare to dream that they would ever succeed, yet they do so anyway.

Regarding Cassian's origins, it's never made entirely clear. It seems as though there was a mining disaster on Kenarii, and everyone evacuated. Except, perhaps, some people simply died and their children were left behind. This explains Cassian's tribe of children and teenagers. They are not people who have been living a life unchanged for millernia, they are people trying to surivive after a disaster with no adults to take care of them. That's striking to imagine.

The timeline is off though. The crashed ship personnel are wearing clothing with a Sepratist logo, but the broker on Ferrix claims this happened during the Empire. I'm not sure what is going on there. The discrepancy makes me wonder if there is some kind of a coverup. Was the disaster due to mismanagement? Has Cassian been a victim of the Empire his entire life? Does he know that?

Just going by the example of Cassian's backstory, it seems like they really put a lot of thought into how they were going to flesh out this world in a way that adds something to the universe.
 
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This would make a good movie.​
Clones? I'm partial to the idea that Captain Rex can be seen in Endor as the rebel soldier with a white beard. This video explains that weird line from Palpatine about "his best legion. " It certainly does not look that way in the film.
 
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If they did muppet Star Wars, Solo should be the lone human. He's like the one character rolling his eyes at everything until the very end, a Jack Sparrow-like counterweight that adds levity. They could get Alden Ehrenreich, since I thought he did find and was not actually among the problems I had with the movie.

Kermit is Luke and Piggy is Leia. Beaker and Bunsen Honeydew play the druids. Vader should be Gonzo; I think that's muppet Canon. Rolf could be Obi-wan , and Sweetums is of course Chewbacca.
 
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When they get to ROTJ Statler and Waldorf should play the Emperor, much as they played Marley's ghost in Muppet Christmas Carol.
 

The Cat

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I honestly would have enjoyed a well written series or movie of Han Solo and Finn just tooling around the galaxy.​
 
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