"Twelfth Night" is great too - I love Shakespeare's puns!
I haven't read (or enjoyed) a lot of Shakespeare, but "Twelfth Night" is definitely my favorite of the ones I've read. It's sprightly, and I think the wacky humor is still somewhat grounded by the characters (and their motivations/feelings). I do wonder about the ending though (I mean there are going to be some *awkward* family dinners in the future), but I guess that sort of tidy ending is to be expected. (Except for poor Antonio. And perhaps Malvolio.)
The Stranger, by Albert Camus. the main character is an ISTP. i think it would appeal to S's, but it also gives some insight into ISTPs.
What about Meursault did you relate to/ consider relating to ISTPs?
(I read this in an English class, and I admit I really didn't get "it".)
I like books where most of the action is ACTION, and not just emotional tumult in the heads of the characters.
Yes! I think emotional tumult can be important action, but it also needs to tie into cause and effect in a meaningful way. I especially hate it when emotional tumult substitutes logical action or plot development... or when emotional state (of an individual) becomes actual physical presence. (
Jane Eyre,
Frankenstein -yeah, I'm not an English Romanticism fan-,
Heart of Darkness come to mind.) If an emotion is so important, it should *show* in how people act- I don't want to hear about people feeling oppressive dread all the time.
I was thinking of something like what Italo Calvino or John Barth write. Anything that's all about intertexuality or authorial intentions, or anything but telling a good story with good characters. Errr .... I know it when I read it. Maybe a helpful NF English major could explain better?
But postmodernism is a term that's applied pretty liberally, and there are subgenres like magical realism and historical metafiction ("Ragtime", "Mason & Dixon") that I do like and that I can see other SPs liking as well.
I think if I ever use terms like "intertexuality" again, I'm going to get my SP license revoked, so I better stop here.
Thanks for clarifying... I think...

(Reading the amazon descriptions of those books makes it hard to imagine anyone liking reading something like that except for the strange/different appeal. But different strokes for different folks.) I like magical realism, but all the ones I've read seem to end tragically.

I like happy endings, or at the very least, proactive ones.