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- Oct 15, 2016
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For Sure Idle had a reputation of whenever the group started arguing or disagreeing he would in his own words: "Fuck off."Yeah, I agree on that. Esp with Idle being the best femme, lol. The others really milked those dress-up gags for kicks. And Idle's musical talent was the strongest in the group.
Idle is the only one I met (briefly), in passing, when I did an interview down at 7th Level in the mid-90's when they were making the Monty Python games. Didn't really get to talk to him. I get the feeling both he and Cleese are very strong-willed and have their own ideas about how things should be done (even before all this blowout mess).
But i also felt like Cleese collaborates better; and Palin and Jones seem to collaborate the best? Not sure about Chapman since he died so long ago, and Gilliam is just a crazy man lol. I think he just has a wild vision (plus, he's used to exercising his vision as a director) and likes to be set loose to play off what others are doing in a group, but otherwise might veer between highly sociable and incredibly cantankerous.
it might be, because I didn't feel like Idle did as much as the others did in separate projects after Python mostly ended. They've all otherwise managed to do a lot of projects with other people or their own independent gigs. (Palin had his exploration show or tour guide show or something too?)
Chapman was apparently more intuitive in terms of humor and could just contribute something to shake things up, rather than planning out a lot of gags. He was kind of a catalyst and gave him the leads in their early films because they thought he could act, the others were more silly in their approach. (I think Cleese actually did a wonderful job straight acting in A Fish Called Wanda.) But he definitely seemed very close to Chapman.
I mean, if I was gonna pick one to stir up antagonism, it would have probably been Idle. He seems kind of opinionated and also not afraid to just blurt things out. I think Terry Jones (now gone) and Michael Palin come across as the least combative.
Cleese might be the strongest writer in the bunch, longer form scripting at least. (He actually got a Best Original Screenplay Oscar nom for AFCW.) Jones of course had his wonderful fairy stories and books.
Cleese and Chapman were VERY close as guys could be and not be romantically a thing. They were like best friends. TBH I get the sense that his marriage to Connie Booth fell apart in part to Chapman's death; he allegedly had a way of getting more enjoyment out of Cleese who was and is dispite being very funny, very serious, which I suppose is why so many people can find him seriously funny, I cant quite picture anyone else being able to do Mr PRailine or be as convincingly exasperated. Plus he did write How to irritate people so you know he's aggravating to have as a friend. So to lose someone who he could work so well with, you just know, you can see he's never been the same. He was kind of the glue. Cleese is definitely one of the stronger writers. The jokes are very much written in. Jones took everything towards the fantastic, and Gilliam gravitated to more behind the camera things. Cleese and Jones butted heads a lot but that came from irrisistible force making comedy with an immovable object, they both had visions of how to make a thing the best way; so I think their rivalry was more like Daffy and Buggs, they respect each other as cartoons. They just have different bits. But you cant really compare Idle or Gilliam with the wrest because they did their own things mostly seperate. The Travel agent sketch is one of my favorites. But Johns writing always felt tight and polished.