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Random Movie Thoughts Thread

Totenkindly

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Session 9 Was such a compelling mystery to watch for the first time, I didnt even realize it was a horror movie until about a month later when I woke up in the middle of the night and all the horror of the movie just sort of trickled down my body. It gave me the screamin willies.
It's a hell of a last line, it just lingers with you and leaves you wondering what's going on inside of the people around you.

I tried to stop and see the buildings when I was going through Boston two years back but unfortunately those MF'ers had torn it down for some kind of office or apartment buildings. They were supposed to utilize at least part of the buildings in the new structures but I think the builders lied until it was too late. Alas. PRetty sure i shared something about it when i got back from that trip.
 

The Cat

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Im really looking forward to Nosferatu. I really liked the VVitch. I watched that movie with the perspective that the VVitch was not an actual witch, but rather some sort of native fae spirit/s. The Town from wence the family was exiled, knows about the dark spirits that inhabit the wilderness, and dispite their severe protestant pretense, they recognize that these beings have some sort of tie or power over the land. And they demand sacrifice. No one talks about it for what it is. The usual methods are employed. Whatever these people did that got them exiled from the village could have been anything, it could have been legitimate or not, the result is the same. The old gods in the dark wood, shall have their pound of flesh. The towns people don't know what happens to the people they send out. They do their best not to think about it. Desperately crying out to heaven above to spare them the hell they know their actions earn them.

The family who is sent out like sacrificial lambs...the father knows what this is. The mother too, though the two will never discuss the matter. They will doggedly, stolidly trudge through their lot in life as best they can for as long as they can. At first they can barely abide the constant dolerous eye of the woods ever upon them looming down over their little clearing like the mists of sheol. But over time they...don't get used to it, but become numb to it. Their lives take on a strange dreamlike quality without any way apart from routine and the sun to mark the passage of time. The children begin "innocent" to their plight. The older children suspect, but the younger ones are as young ones are wont to be, already ensorceled by the glamours of the fey of the area. That the black goat of the woods should talk to them is nothing surprising because they see the unseen world for what it is.

It's the baby who is taken first. It is the way of such things. It makes the other caper so entertainingly. And that's what this movie feels like to me. It feels like I'm watching something powerful play with its new toys. The ones who refuse to play right get broken. Some are more fun to break than others. There is an undercurrent of twisted glee that seems to be oozing out of the forest and just...sullying the family in the clearing. And more, rather than fighting it(arguably the son manages to find if not escape ecstacy via this rout, but it could also be argued that all escape cost him was his life, but that is a tanget) the family for the most part just sort of wallows in it until they start to revel in it. There are of course all the mundane things that are there, but in the spirit of the movie i view it from the perspective that some sort of supernatural element is driving their psychosis. They're not just slowly going crazy(even though they are) They are being actively fucked with by what amounts to spirits of the land manifesting to them in various forms, but through the modern lens looking back the conclusion the audience tends to draw is the conclusion we expect the people of the time to have made(a witch) In the end the final girl, gets with the program and embraces her life as a favorite toy, or she was a changeling all along, that she was swapped out as a baby and meant to act out to bring the human family back to the woods that she came from and take their due as old gods of the land. And Shub Nigguruth(The black goat of the wood with a thousand young) can talk the whole time. ^_^

The movie is so subtle and so well written that you can literally get multiple theories of what the fuck is going on, and have them hold water for your own imagination, and I think that's pretty cool. Its what I liked about Star Wars the best back when star wars was just three movies and a tong of possibilies of what could be or might be. We used to sit around and tell our versions of how things got to where the movies started, or what happened between them or after. We had a hell of a lot of fun doing it. Expanding our own theories with the parts we liked best from our friends, testing our own theories against our friends visions to see how they came together or which one out.

I think that's the sweet spot for good movies. It's not the cinematic experience(even though it is) its how much the movie captures your imagination around it. I miss when more movie discussion was like that, over, how many buttfuckingly baffling descisions get made around the movie.

I cant wait to see what he does with Dracula.
 

Totenkindly

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Another actor gone.

Farewell, Colonel Mustard. (Although his career spanned a lot of things in both TV and film.) Funny guy, and seemed full of candor.

Dammit, Grim Reaper -- you keep taking the wrong TV personality.
 

Totenkindly

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Eggers hasn't made a bad film yet. They are definitely very much niche films but this makes his contributions interesting and unique. I think "The Northman" was the most conventional of the three films he's released but it's still interesting and enjoyable even if not as auteur as his first two. Nosferatu should be pretty interesting, there's a lot of opportunity for his special approach and tone and taking it away from the typical "Dracula" style film.

Egger's "The Lighthouse" might have been his craziest film, driven by such a great pair of performances.

I think I just enjoy listening to people bitch about A24 fantasy and horror films. When "The Green Knight" dropped, it was funny how many people judged it by how it wasn't the film they expected. If they hadn't gotten their diapers in such a wad, maybe they could have enjoyed the experience and realized some of the deeper questions it was asking rather than expecting an action film. Same thing goes for Aster's films...
 
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Eggers hasn't made a bad film yet. They are definitely very much niche films but this makes his contributions interesting and unique. I think "The Northman" was the most conventional of the three films he's released but it's still interesting and enjoyable even if not as auteur as his first two. Nosferatu should be pretty interesting, there's a lot of opportunity for his special approach and tone and taking it away from the typical "Dracula" style film.

Egger's "The Lighthouse" might have been his craziest film, driven by such a great pair of performances.

I think I just enjoy listening to people bitch about A24 fantasy and horror films. When "The Green Knight" dropped, it was funny how many people judged it by how it wasn't the film they expected. If they hadn't gotten their diapers in such a wad, maybe they could have enjoyed the experience and realized some of the deeper questions it was asking rather than expecting an action film. Same thing goes for Aster's films...
I was visually impressed by the Green Knight, and I was moved by the idea of facing life and death with courage. That ending sequence reminded me of something I read in a book (the Glass Bead Game by Herman Hesse, if anyone's interested), when the Indian character has a vision where he gets every earthly treasure he wants, but in the end it all falls apart anyway, and his visions departs, and he opts to face life in a different way. It was stunning there and it was stunning in The Green Knight.

Now I'm reflecting on this more, because I find it hard not to think of the things I want but I don't have. Perhaps, these are the things I could have had if all my choices had been safe (not that none of them were safe). But if I had those things, I wouldn't be the same kind of person. And so, thinking about those choices along the lines suggested in this movie, I can come to peace with many of the choices I have made.

Very interesting.
 

Totenkindly

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I really love it when films end up affecting us on a personal level like that -- showing us the world in a different way and maybe reframing our perceptions for us to open up new options for our lives, inspiring us to go in those new directions. If I can recall a personal example, I'll edit my post -- I know I have some but I'm tired and simultaneously on Discord gaming.
 

Totenkindly

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Unless something goes unexpectedly well, this is gonna be a bloodbath for Disney. And I mean, the film has to get stellar reviews and have some Tom Cruise level action sequences.... 375 million production??

 

Totenkindly

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I like Anna Kendrick a great deal, although I know she's an acquired taste for some if they aren't annoyed by her -- and being in those those later Twilight movies didn't help. Fortunately, I happen to like what she does (and damn, she can sing).

Mentioning her mostly because I'm in the middle of "A Simple Favor" and both she and Blake Lively (BLAKE LIVELY, out of all people!) are stellar. Not that I've watched a ton of Lively movies, but I'm kind of blown away by how good (and funny) she is in this film; I wasn't really impressed with her in the few other things I saw, although she has impeccable taste in funny husbands.

Anna Kendrick on "Up in the Air" (2009): "I thought it was going to be a comedy. I didn't understand that it would be an awards contender at all. The script changed a lot while we were making it, because we were making it when the bubble burst. Layoffs meant something else by the time that we went into production. The idea of a man who fires people for a living went from hitman to genocidal maniac."

A large number of the people we see fired in the film are not actors, but people who were recently laid off. The filmmakers put out ads in St. Louis and Detroit posing as a documentary crew looking to document the effect of the recession. When people showed up, they were instructed to treat the camera like the person who fired them and respond as they did, or use the opportunity to say what they wished they had. A way to discern who are the actors, and who are the real people, is that the real people do not have dialogue with George Clooney or Kendrick, as they were shot separately. Director Jason Reitman did this intentionally, feeling that the real people would freak out Clooney and Kendrick.

Kendrick later claimed that she was financially insecure as a working actress when she made this movie, and that during the promotional tour her wardrobe was rented for her. Kendrick admitted that she felt bad about that, she thought it sent a misleading impression to young actresses.

For her performance in the film, Kendrick received nominations for the Golden Globe Award, the Screen Actors Guild Award, the Critics' Choice Movie Award, the British Academy Film Award, and the Academy Award for Best Supporting Actress.

"I'll tell you, the really humbling moment is the moment that you get home from the Golden Globes or the BAFTAs or the Oscars, and you sit on your bed, which is the same crappy IKEA bed you've had since you were 18, and you put on an old episode of 'Family Guy' and you have a frozen meal . . . and you're trying not to get macaroni and cheese on your thousand-dollar gown."

"I'm really glad that the Oscar stuff is over, to be perfectly honest. I mean, I am infinitely grateful - I'm so lucky - but it's been a really crazy year. You're constantly wearing clothes someone else picked out for you, delivering sound bites instead of real feelings, and walking into rooms full of people you don't know. I didn't become an actor for any of that, so it's been kind of a confusing time for me." (IMDb/Wikipedia)
 
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I watched the trailer to Red One (yet another fresh new twist on the Chrismas movie), and I'm stunned. I was barely able to process what I was seeing.

This looks tailor-made for all the bad movie riffers and podcasts out there.

I'm looking forward to this.
 
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Totenkindly

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I watched the trailer to Red One (yet another fresh new twist on the Chrismas movie), and I'm stunned. I was barely able to process what I was seeing.

This looks tailor-made for all the bad movie riffers and podcasts out there.

I'm looking forward to this.
The writer wrote a lot of the Fast and Furious films, the director directed the Jumanji films...
 

Totenkindly

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I like Anna Kendrick a great deal, although I know she's an acquired taste for some if they aren't annoyed by her -- and being in those those later Twilight movies didn't help. Fortunately, I happen to like what she does (and damn, she can sing).

Mentioning her mostly because I'm in the middle of "A Simple Favor" and both she and Blake Lively (BLAKE LIVELY, out of all people!) are stellar. Not that I've watched a ton of Lively movies, but I'm kind of blown away by how good (and funny) she is in this film; I wasn't really impressed with her in the few other things I saw, although she has impeccable taste in funny husbands.
Finished this today. I feel like the plot got a little out of control in the final half hour of film (although the book also took some hits because of flip-flops) -- it's like Scooby Doo on steroids. However, I stand by the performances being pretty great, and a lot of the supporting cast actually have comedy backgrounds, which contributes to the film just popping humorously to life much of the time. It was just a fun film to watch, even if it starts to run out of steam by the end being a Try Hard.

In the spectrum of Paul Feig films, this is closer to "The Heat" and "Bridesmaids" than his flops.
 

The Cat

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"Across the Jones-Verse"?
Well I would have said in a reboot of the Indiana Jones franchise, but I would rather them just have different stories rather than remaking the older movies. There was a pretty good run of books back in the day. But yeah I would take an Across the Jones verse if that meant I also got a Tom Selleck and Chris Pratt Indiana Jones.
 
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