Totenkindly
@.~*virinaĉo*~.@
- Joined
- Apr 19, 2007
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Watched the opener for kicks the day after it aired, despite being somewhat indifferent.
Decent acting. A lot of it feels like "GoT Lite" ("oh, this again?")
Dragons were treated rather nonchalantly which is nice.
Lots of geographical callbacks, most of them inadvertently tinged with absurdity and/or tragedy unfortunately if you have watched all of GoT. "Oh, that's where the Hound and Mountain [you know what happened]." "Oh that's where Tommen [you know what happened]." "Oh, that's the court we saw a lot of where Tyrion and Cersei argued all the time." "Oh, there's where Jaime and Cersei [you know what happened]." And so on.
Also a lot of family name callbacks, with a lot of houses we already know, along with long-running family names. At least I didn't hear a Dickon in there.
The time span for comparison is around 170 years or something, which is fairly close to about how long it's been since the American Civil War occurred.
But otherwise it all seems to be the SoS. I'm glad they got Paddy Considine to bring some pathos to King Viserys Targaryen, because he's kind of got the jaw-dropper "bad husband" move in this episode.
I barely recognized Sonoya Mizuno here because she's actually talking a lot -- I typically have seen her in Alex Garland projects where she doesn't talk at all or has very soft-spoken/stilted communication.
Matt Smith chews up the scenery with particular relish.
Milly Alcock and Emily Carey are decent -- but they'll get replaced later in the season by their adult counterparts.
Typical violence and sex percentage as expected.
I guess the big thing here is that at least GRRM wrote the end of the story this time, so there shouldn't be any confusion or "less than" in getting there.
However, there's a problem in that we know where it all goes anyway. There's one comment by Viserys about a future prediction and what is needed, and you just want to LoL because you see he's kind of wrong (and/or right in an unintended way) because of how badly GoT bobbled its endgame. It just ends up feeling like they're all played for chumps and nothing they do much matters anyway.
Other than that, same production quality, cinematography, etc. One scene triggered me to whisper "Dracarys" ahead of time and it was semi-rewarding. Otherwise? Eh. Kind of like, if you've got time and miss Westeros, it's pretty much more of the same without D&D there to fumble the ball, I guess.
Decent acting. A lot of it feels like "GoT Lite" ("oh, this again?")
Dragons were treated rather nonchalantly which is nice.
Lots of geographical callbacks, most of them inadvertently tinged with absurdity and/or tragedy unfortunately if you have watched all of GoT. "Oh, that's where the Hound and Mountain [you know what happened]." "Oh that's where Tommen [you know what happened]." "Oh, that's the court we saw a lot of where Tyrion and Cersei argued all the time." "Oh, there's where Jaime and Cersei [you know what happened]." And so on.
Also a lot of family name callbacks, with a lot of houses we already know, along with long-running family names. At least I didn't hear a Dickon in there.
The time span for comparison is around 170 years or something, which is fairly close to about how long it's been since the American Civil War occurred.
But otherwise it all seems to be the SoS. I'm glad they got Paddy Considine to bring some pathos to King Viserys Targaryen, because he's kind of got the jaw-dropper "bad husband" move in this episode.
I barely recognized Sonoya Mizuno here because she's actually talking a lot -- I typically have seen her in Alex Garland projects where she doesn't talk at all or has very soft-spoken/stilted communication.
Matt Smith chews up the scenery with particular relish.
Milly Alcock and Emily Carey are decent -- but they'll get replaced later in the season by their adult counterparts.
Typical violence and sex percentage as expected.
I guess the big thing here is that at least GRRM wrote the end of the story this time, so there shouldn't be any confusion or "less than" in getting there.
However, there's a problem in that we know where it all goes anyway. There's one comment by Viserys about a future prediction and what is needed, and you just want to LoL because you see he's kind of wrong (and/or right in an unintended way) because of how badly GoT bobbled its endgame. It just ends up feeling like they're all played for chumps and nothing they do much matters anyway.
Other than that, same production quality, cinematography, etc. One scene triggered me to whisper "Dracarys" ahead of time and it was semi-rewarding. Otherwise? Eh. Kind of like, if you've got time and miss Westeros, it's pretty much more of the same without D&D there to fumble the ball, I guess.