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Star Wars 9

Totenkindly

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Maybe this release weekend would have gone better if they had merged both major films into one: "The Cats of Skywalker."

You know, where the Knights of Jellicle come together to decide which character needs to be sacrificed to the gods in hopes that the Force will allow them to be reborn into a far better life.
 

Totenkindly

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I was listening to this video that my eldest sent me, from the "half in the bag" guys, their review of the film. Some of their comments are pretty funny.

I like the way they joked about the barely seen lesbian kiss in the background after the Resistance wins, which is barely a blip in the consciousness and doesn't really count as a landmark of any kind -- one of them called it "passive progressive."

 
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Maybe this release weekend would have gone better if they had merged both major films into one: "The Cats of Skywalker."

You know, where the Knights of Jellicle come together to decide which character needs to be sacrificed to the gods in hopes that the Force will allow them to be reborn into a far better life.

That might have showed greater consistency with the past films in the trilogy.
 
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Totenkindly

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Here are some comments:

On the topic of lightsabers:



Other people having force powers:


On Kylo's journey after the Death Star:


Palpatine's victory:


space battles
 
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Palpatine's victory:

 

ygolo

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I'm going to put this out here:

I never really liked the idea of "grey Jedi as it was commonly explained. It seemed like people expecting these movies to become something they never were. I'm not saying the Jedi didn't need reformation, but I don't see that as meaning that they should use the dark side every now and then. The point is that the dark side is addictive and it consumes you if you continue to give into temptation.

Wanting grey Jedi in the sense of "Jedi who use the dark side but aren't villains" is like wanting a dark and gritty Superman.

If one means grey in the sense of being like Qui-Gon Jinn who didn't follow the council or all the dogma that had developed around the Jedi, that's another thing entirely.
 

Totenkindly

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Ended up talking to my son about this for, like a few hours, on Tuesday evening when he came down to stay for a few days (aside from watching parts of Revenge of the Sith and The Last Jedi). He had seen the film over the weekend. Our opinions and observations are pretty similar. Oh well.

I'll be happy once all the articles stop cluttering up my news feeds, I'm tired of hearing people discussing explanations for confusing plot points in an exciting attempt to reconcile them. it's like debating paint chips for your living room while your house is burning down. This film will make a bunch of money, although probably not as much as TFA, and then fade over time, and then like Sandy notes in "Presumed Innocent, "We speak now, tonight, and then these things are never spoken of again" ha ha. Maytbe the next entries in this universe will have nothing whatsoever to do with the Skywalker family, and it hasn't come too soon because it has just resulted in lack of creativity.

I think it's crazy that a number of answers have to be filtered in through the film's Star Wars Encyclopedia book (or whatever it is called) that just came out. You shouldn't have to buy a large supplemental book in order to understand problem areas of a film, it needs to be a self-contained story.


Ian McDiarmid Says George Lucas Wouldn’t Have Brought Palpatine Back from the Dead

Kennedy kinda needs to go, She just obfuscates and doesn't really seem to know how to oversee any of this to lend over-arcing coherency.

I'd be interested in seeing Trevorrow's initial film notes/outline before he got canned. He still got a story credit but I don't know what that means, especially if the Emperor was never part of his plan. (And, like we've all seen, there are no hints of this in TFA really...) I am usually as much as interested in the development process (how ideas formed, how we got to a finished product) as I am about the finished product, especially when it all goes wonky.
 

The Cat

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I was listening to this video that my eldest sent me, from the "half in the bag" guys, their review of the film. Some of their comments are pretty funny.

I like the way they joked about the barely seen lesbian kiss in the background after the Resistance wins, which is barely a blip in the consciousness and doesn't really count as a landmark of any kind -- one of them called it "passive progressive."


passive progressive, that's pretty hilarious. At least there are enough women in the galaxy far far away now to even have lesbians.
 

Totenkindly

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Star Wars Screenwriter Claims Kelly Marie Tran's Scenes Were Cut Because of Bad CGI

They claimed that Rose's scenes involved Leia and then the CGI wasn't good enough, so the scenes were cut. (Personally I didn't even like Leia's younger face on Rogue One; Peter Cushing was okay, Leia didn't look right and we didn't need to see her face either.)

But they seem pretty oblivious to how all the decisions they made would be viewed by first-time viewers of the film.

When the actor playing your lead character dies, maybe you'd make a stronger movie by rewriting rather than doing all this half-assed stuff around what little footage you had and depending on CGI? It seems like they refused to really reconsider a lot based on TLJ and other out-of-film events.

I would really like to see the Spec script that Abrams pitched on the day that TLJ released, about his plans for this final film. How much of the final product was in that spec, and what changed?

That explanation may not satisfy some of the critics who think that Abrams and Disney wronged Tran by cutting her role so significantly. But John M. Chu, director of the 2018 hit Crazy Rich Asians, has a solution to make things right. On Friday, he called for Disney to give Rose her own spin-off, à, la The Mandalorian. "Put me in coach," he tweeted. "Let’s make this series happen."

Yeah, I don't think the character is strong enough to helm her whole series unless all the supporting cast is more interesting and Rose is the "normal" one connecting them all.
 

Kingu Kurimuzon

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Gotta appease that Chinese demographic I guess. I don't think Rose was super popular in China, or at least she was blamed for TLJ doing poorly in China. So no surprise they trimmed her scenes. Weak.

If white supremacists were suddenly the majority of moviegoers in the world, Disney wouldn't hesitate to tailor their content to please that demographic. Don't forget that this is a company concerned with pleasing shareholders. Their supposed love for wokeness and diversity only goes as far as their bottom line allows.
 

Totenkindly

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Well, they aren't hurting for money.

ROS might have underperformed TLJ overall over the time period since its release (and I'm talking in the USA, maybe only about $15 million under TLJ out of a few hundred million), and that's not looking at all the other crap including toys, etc. But the films make so much money that it almost doesn't matter -- it's more about how much it underperforms the paper expectation rather than them ever losing money on SW. The other thing is that it's a market that sells itself -- even if the film is crap, people will still go to see it because it's SW.

The thing is mainly that in terms of draw and money inflow, I think SW is now just performing like a regular franchise, rather than one of the oldest and more venerable. MCU pretty much crowns the franchise world at this time in terms of quality and money flow.
 

noname3788

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When the actor playing your lead character dies, maybe you'd make a stronger movie by rewriting rather than doing all this half-assed stuff around what little footage you had and depending on CGI? It seems like they refused to really reconsider a lot based on TLJ and other out-of-film events.

 

Totenkindly

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Gotta appease that Chinese demographic I guess. I don't think Rose was super popular in China, or at least she was blamed for TLJ doing poorly in China. So no surprise they trimmed her scenes. Weak.

If white supremacists were suddenly the majority of moviegoers in the world, Disney wouldn't hesitate to tailor their content to please that demographic. Don't forget that this is a company concerned with pleasing shareholders. Their supposed love for wokeness and diversity only goes as far as their bottom line allows.

Naw, think the reason they made a lot of choices they did was letting a lot of fanbois practically write the movie.


They talked all about in pre-release interviews about how this movie was "the opposite of the Last Jedi" and made "for the fans. "

J.J. overcorrected for the prequels in TFA. Why wouldn't he overcorrect for TLJ (which didn't really need correcting, but whatever)? I think JJ puts too much stock in what "the fans" want. The problem is that it's just a vocal subset, and also that their ideas happen to be shit.

It's not the first time. "art deco spaceships don't look like star warzzz, here's some reskinned tie fighters and x wings with different engines;.. oh and we're blowing up the boring politics planet, but don't worry, its not the same one from the prequels"

The China thing makes no sense. IIRC, TFA did poorly in China. China doesn't really care about Star Wars, and I think part of that is that the government can't be super happy with the story and themes of Star Wars.

I wish I could dig it up, but after the movie dropped, someone on reddit (ironically, especially given that I think it was meant as a dig at the movie and other elements of the fanbase) posted a version of the Star Wars end credits saying "written and directed by Reddit." It's not far from the truth.

Frankly, while I didn't hate the movie, I'm glad it's underperforming. I really don't want future Star Wars films to follow this template. There's so much stuff about the creative decisions made with this movie that is lazy and poorly thought-out.
 

Kingu Kurimuzon

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I disagree JJ cares about what fans want. If that were the case, Trek '09 would've been a very different film--he alienated well over half of the Star Trek fanbase with that and Into Darkness. I think JJ recites the "for the fans" schpiel because it sounds a lot better than saying "for the corporate shareholders and suits who can end my career in one phone call if they so see fit."

I think the loudness of fanboys is way overstated, but they're an easy scapegoat to toss out. Whether a franchise film does well or bad, it's a win-win--thank them if a film does well, blame them if it does poorly. It's a lot easier to give credit/blame to some supposedly huge and vocal subset of fans, when in reality they're probably just a few thousand people at most (a tiny fraction of overall ticket buyers) who happen to be pretty vocal on sites like rotten tomatoes and IMDB (before they closed their boards at least)
 
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I disagree JJ cares about what fans want. If that were the case, Trek '09 would've been a very different film--he alienated well over half of the Star Trek fanbase with that and Into Darkness. I think JJ recites the "for the fans" schpiel because it sounds a lot better than saying "for the corporate shareholders and suits who can end my career in one phone call if they so see fit."

A lot of fans wanted Khan in the sequel, though. I have no idea why. That was always an idea I had zero interest in.
 
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