Rewatched Mission Impossible 1, 3, and 6 over the last few weeks and rewatched 5 two months back or so.
Then saw
Mission Impossible 7: Dead Reckoning Part 1 today. I'd give it a 4/5 and not because it's a first part film. It's got a ton of really banging action sequences, they really are pretty spectacular.
However, much of the early part feels like nothing but action, so it's feeling kind of hollow. And then, if you're going to bump a major beloved character, you need to make it feel like (1) you're not just clearing the floor to introduce other characters and (2) you actually give them a character arc / plotline where their death feels like it's part of that and makes sense. Or it should feel agonizing where you're not really sure what's going to happen, but this just felt all boringly plotted out.
It's not like this kind of character arc can't be done, and to be honest my favorite films in the series are 3, 5, and 6 because they were willing to dig more into character arcs. I like my action films to have a center. [Like, in Edge of Tomorrow, both Cage and Vrataski have their own character arcs -- Cage is a coward with no fighting skill who learns to be brave, while Rita has her own reasons for wanting to succeed and the end of her arc feels like a completion. Meanwhile, they have this situation where they are both becoming attached to each other as people, while NOT wanting to be attached because they know it will inevitably end up in loss for one or both of them. That's what makes Edge of Tomorrow better than just a regular action film. Or similar with Terminator 2 -- you get the whole arc of John learning to be a leader after being kind of a waste, the Terminator learning what it means to be human even if he can never be, and Sarah regaining her lost humanity after becoming in effect a human terminator out of necessity. Or Ripley and Newt in Aliens -- Ripley is compensating for failing her promises to her own daughter who she has now lost, proving she is still a good mother, and Newt is learning how to trust again after losing her family and going through terrible horrors...]
Anyway, I feel like Luther and Cruise at least get some character work later in the film, but some others just aren't done justice. Nothing like the end of either the 5 or 6 films, and they were also by McQuarrie (he had help writing this script, though, and I'm like... eh? Maybe that's a problem?)
I was happy with the plotting in one respect -- I knew exactly (as a writer) what should have been behind some of the antagonist forces in this film, despite Hunt and Co not figuring it right away, and then the story actually went there. So hooray, that made me happy.
Oh, yeah, Pom Klementieff was actually pretty great, and she also looked great.

She had to play into goofball comedy in GotG, and I've seen her play campy bad guys in a few B films, but here she's kind of intimidating and cool, the same way when Dave Batista walks out in Spectre and you're like "holy shit." I guess that's ironic too, since they were paired up in Guardians typically.
EDIT:
Dead Reckoning Part One passes the Bechdel Test, but the treatment of its female characters is once again problematic. The Mission: Impossible Franchise Can’t Seem to Figure Out Women Liz Shannon Miller
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