Totenkindly
@.~*virinaĉo*~.@
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- Apr 19, 2007
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Good article. It gives words to some of what I've been feeling.
I didn't really read the books (just a few excerpts of interest) but I know GRRM's reputation and I noticed a distinct quality in the story plotting once the show went 'off book.' Too many things felt generalized and done to create some kind of dramatic scene versus making sense. Maybe that's why I was laughing last night through much of the episode. For example, Dany is ripping into Varys mainly to rip into Varys to create a feeling of danger and set up Varys speech about how committed he is to Westeros but not to a ruler. It wasn't that it was poorly written or acted, but it just felt kind of over-the-top and done for the drama quotient rather than because it necessarily made sense. When Uncle Crazypants crashed into the ships from out of the mist, I was like, "This is ridiculous, how did he even know where they were?" But of course he did. Because he might even just accidentally run into them just leaving the port of King's Landing, with all the ship traffic through that bay area. Durrr.....
With an understanding of geography, yes, it does feel kind of dumb to have Dany go to Dragonstone. But of course she had to. Because they had to have that scene of her entering the keep, and they need her to be there to be accessible to Jon Snow when he rides down, and she needs to have control of the Dragonglass so that she and Jon can make an alliance and forge weapons to fight the undead army, and... well, there's all the plotting, very blatant and very obvious, and details and sensibilities are overlooked. The trick for an author is to mask your intentions even if you DO have a plan -- the characters still have to be making the decisions and doing what is in their best interest or according to their personalities regardless of what lofty plans the writer has for the story -- but here I've been feeling a lot in the last season and this (and even some of season five) that it's really just about this plot, so how do we move characters to where they need to be to enact the plot? It's the predictability of it all that is annoying, and I don't really feel like characters are getting their just desserts or doing what is natural to them.
I totally agree on the thing between Sansa and Jon, there is no reason for it to happen so publicly but hey it keeps happening. Because they need someone to stir the pot plot-wise.
My joke about Arya getting her hand bitten off by Nymeria... well, wouldn't that make sense? The last time that wolf and she spent time together, she threw rocks at it to chase it off. Yes, she did it for Nymeria's own good, but would the wolf have known that at such a young age? Maybe or maybe not. Most of the time though, when you put down your weapon and approach an alpha wolf, what does the alpha wolf do especially if it remembers you drove it away with rocks years ago? I guess we'll see that on a Simpsons' episode some day but not here. But it's kind of the same thing, things should happen because of what people do or don't do; people's greatest enemies are themselves.