B
brainheart
Guest
I finished reading The Double by Dostoevsky last night. Talk about a wonderful example of the social four. Here's an excerpt (you can read all of it at http://fiction.eserver.org/novels/the_double.html):
I think fours express themselves most accurately in the arts so I think this is a great way to show the enneagram four instincts in action.
Anyone else have other examples? (I can think of a number off the top of my head but I'm going to leave it at this for now.)
... In this way, hesitating and seeking for the solution of his doubts, our hero ran to Semyonovsky Bridge; but while running to Semyonovsky Bridge he very rationally and conclusively decided to return. "It will be better so," he thought. "I had better try the other tack, that is . . . I will just go - I'll look on simply as an outsider, an outsider - and nothing more, whatever happens - it's not my fault, that's the fact of the matter! That's how it shall be now."
Deciding to return, our hero actually did return, the more readily because with this happy thought he conceived of himself now as quite an outsider. "It's the best thing; one's not responsible for anything, and one will see all that's necessary . . . that's the fact of the matter!" It was a safe plan and that settled it.
Reassured, he crept back under the peaceful shelter of his soothing and protecting woodstack, and began gazing intently at the window. This time he was not destined to gaze and wait long. Suddenly a strange commotion became apparent at all the windows. Figures appeared, curtains were drawn back, whole groups of people were crowding to the windows at Olsufy Ivanovitch's flat. All were peeping out looking for something in the yard. From the security of his woodstack, our hero, too, began with curiosity watching the general commotion, and with interest craned forward to right and to left so far as he could within the shadow of the woodstack. Suddenly he started, held his breath and almost sat down with horror. It seemed to him - in short, he realized, that they were looking for nothing and for nobody but him, Mr. Golyadkin! Every one was looking in his direction. It was impossible to escape; they saw him . . . In a flutter, Mr. Golyadkin huddled as closely as he could to the woodstack, and only then noticed that the treacherous shadow had betrayed him, that it did not cover him completely. Our hero would have been delighted at that moment to creep into a mouse-hole in the woodstack, and there meekly to remain, if only it had been possible. But it was absolutely impossible. In his agony he began at last staring openly and boldly at the windows, it was the best thing to do. . . . And suddenly he glowed with shame. He had been fully discovered, every one was staring at him at once, they were all waving their hands, all were nodding their heads at him, all were calling to him; then several windows creaked as they opened, several voices shouted something to him at once. . . . "I wonder why they don't whip these naughty girls as children," our hero muttered to himself, losing his head completely...
I think fours express themselves most accurately in the arts so I think this is a great way to show the enneagram four instincts in action.
Anyone else have other examples? (I can think of a number off the top of my head but I'm going to leave it at this for now.)