Totenkindly
@.~*virinaĉo*~.@
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- Apr 19, 2007
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She pulled it off. Sort of a return to more traditional Shirley Bassey styled themes. Apparently Amy Winehouse would've been the producers' likely choice if she hadn't croaked.
Could have been interesting. It's always a crapshoot.
For example, while Jack White and Alicia keys are considered decent artists, their cut for Quantum takes a lot of hate. But that's because they did something that sounded really different.
I might be going out on a limb, but it seems like the Bond fan base is kind of traditionalist actually. Songs that play into that tend to do better; songs that don't use the original branding fare less well. The one song I can think of that both follows AND breaks the mold and yet is considered one of the best Bond songs ever is "Live and Let Die" by McCartney.
(Few people really discuss Octopussy's "All Time High" either... it was big on the radio at the time, but I think it's skipped over a lot today.)
Anyway, it's why there's always crap too when the role gets recast.
I have major issues with the Abramsverse, but the new cast is not one of those issues. They did the jobs they were hired to do.
The cast is pretty stellar IMO.
I was shocked at how well the new cast channeled the old cast, even if they didn't quite look the same. Pine's creepy -- he even got the swagger and the voice nuance correct. Urban didn't even look like Kelley, but he got the voice tone / attitude down.