Totenkindly
@.~*virinaĉo*~.@
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‘Tenet’ Divides Critics: Nolan’s Latest Called a ‘Monumental Spectacle’ and ‘Head-Scratching’ Dud
So... along with all the controversy regarding when and where to release this hugely expensive film, I'm seeing critical assessments weighing in on the positive and negative poles.
I wouldn't be surprised if he developed this huge blockbuster film based on his success in "Inception" (which still boggles me, I still don't get why it made such a splash in the GENERAL audience; I totally understand why it succeeded with Nolan's standard audience + cerebral sorts), but for whatever reason it's too "Nolan" of a film and so there is a cultural course correction along with COVID reluctance to bring this in way under expectation.
How many of the general audience loved Nolan's films enough to go to the theater to watch Memento? Or Insomnia? Or The Prestige? Much smaller box offices. Nolan has become a "blockbuster" film director, but is he really? Or did he just get fortunate?
I mean, its nothing to sneeze at, but he made about $800m at box office for Inception, $700 for Interstellar, and $500 million for Dunkirk. (Early in there, he did clear a billion for The Dark Knight Rises, but -- it's the finale of a film trilogy, it's a superhero film, the second film is considered to be the best batman film ever made generally and won an acting Oscar, so everyone was gonna see the final film, and the reviews on the final film took a hit.)
It's not clear whether spending $400 million to finance this original thriller film was going to pay off or appeal across the general market, esp if Nolan makes a film that is more "Nolan" than accessible to broadest audience. Also, I think along with any "heady logic" of Inception, I know one of the reasons I rewatch it is because of (1) Cobb's loss + his journey to recover his children and (2) Fisher's trying to reconcile with the death of this father. That latter bit is the core of the film. (The best Nolan stuff does this. The Prestige has cool heady stuff in it but it's really about a bitter one-upmanship of two rival magicians centered on a severe loss, plus a reuniting between magician and child. Insomnia is about a cop trapped between his career and his culpability/guilt regarding the fate of a coworker. Interstellar has some interesting science stuff but it's really about the relationship between Cooper and his daughter Murph. And so on.)
I guess we shall see.
So... along with all the controversy regarding when and where to release this hugely expensive film, I'm seeing critical assessments weighing in on the positive and negative poles.
I wouldn't be surprised if he developed this huge blockbuster film based on his success in "Inception" (which still boggles me, I still don't get why it made such a splash in the GENERAL audience; I totally understand why it succeeded with Nolan's standard audience + cerebral sorts), but for whatever reason it's too "Nolan" of a film and so there is a cultural course correction along with COVID reluctance to bring this in way under expectation.
How many of the general audience loved Nolan's films enough to go to the theater to watch Memento? Or Insomnia? Or The Prestige? Much smaller box offices. Nolan has become a "blockbuster" film director, but is he really? Or did he just get fortunate?
I mean, its nothing to sneeze at, but he made about $800m at box office for Inception, $700 for Interstellar, and $500 million for Dunkirk. (Early in there, he did clear a billion for The Dark Knight Rises, but -- it's the finale of a film trilogy, it's a superhero film, the second film is considered to be the best batman film ever made generally and won an acting Oscar, so everyone was gonna see the final film, and the reviews on the final film took a hit.)
It's not clear whether spending $400 million to finance this original thriller film was going to pay off or appeal across the general market, esp if Nolan makes a film that is more "Nolan" than accessible to broadest audience. Also, I think along with any "heady logic" of Inception, I know one of the reasons I rewatch it is because of (1) Cobb's loss + his journey to recover his children and (2) Fisher's trying to reconcile with the death of this father. That latter bit is the core of the film. (The best Nolan stuff does this. The Prestige has cool heady stuff in it but it's really about a bitter one-upmanship of two rival magicians centered on a severe loss, plus a reuniting between magician and child. Insomnia is about a cop trapped between his career and his culpability/guilt regarding the fate of a coworker. Interstellar has some interesting science stuff but it's really about the relationship between Cooper and his daughter Murph. And so on.)
I guess we shall see.