Totenkindly
@.~*virinaĉo*~.@
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So I thought of this again because I just picked up a few of the released graphic books for cheaper and started looking through them. (I'm a fan of Frank Quitely's art, mainly.)The Jupiter's Legacy adaptation feels pretty shoddy, like it is just recycling ideas from other superhero shows without really digging into anything. The action sequences also feel shoddy, like trying to elevate action from "Hercules" TV show or something. There's a lot that isn't explained, it's not really clear what the focus of the show is, and characters doesn't really feel that real. It should be more thoughtful than the transition to the screen is showing.
Kampouris (Chloe Sampson) and Ben Daniels (Walter Sampson) seem to be the best actors on the show, but Chloe's plotline is a jumble. Walter's not an interesting character but Daniels is an old veteran from some decent shows and just seems to make himself interesting to watch.
Also, Kurtwood Smith gets a short cameo and he blows everyone away. It's like, why couldn't we get more Kurtwood? He's an accomplished veteran actor who knows how to elevate the stories he's in.
There is so much that isn't explained, the two plotlines makes it hard to determine the gist of the show or what should be happening, it's not clear where younger people got their powers, and so on.
I think there is a core story here -- you get a hero from the 20-30's who is still alive, but the world has changed and yet he doesn't want to change with it. In the process, he's kind of an asshole to the younger generation (much as my generation and younger are disillusioned by Boomer behavior and expectations), in the way that a paladin can be an asshole in an AD&D game. He's got rules he judges everyone by when they don't follow them, but can't accept maybe his rules don't make sense. He has two kids who respond to this in two ways -- one tries to please him and mediate the family interactions, while at the same time it's clear he's not going to be able to follow his dad's rules forever, and the other just cuts loose from the family and goes her own way. How do the kids reach a place where they feel fulfilled and happy, contributing to the world in some way?
But the show isn't really honing in on this and has lots of superfluous crap. The writing also just isn't that sharp.
Really interesting how the first two issues change core elements of the show. Like, majorly. Talk about a slow burn for the TV version!
The villain in the show, you don't really get until the last few moments of the season. In the comic, it's clear by the end of issue #2.
Also, it looks like the parents (i.e., the two major characters of the show!) are kinda wiped out by the end of that issue, and it's all truly about the Legacy. But it's not clear whether they will get brought back later.)
Also, it looks like the parents (i.e., the two major characters of the show!) are kinda wiped out by the end of that issue, and it's all truly about the Legacy. But it's not clear whether they will get brought back later.)
The show didn't really succeed with the showrunner leaving. How many times does that have to happen before a distributor catches on that it's BAD for the show? But it also feels like the translation wasn't as good. A lot of money, not great effects; things not working well on screen, they needed to be adapted different, a lot of whiny writing, etc.
Millar tends to be a brutal writer and sometimes not really that great, he needs a lot of adjustment to make a workable film for the general audience. His Kick-Ass comic is pretty mean-spirited and I couldn't read much of it, so it's remarkable that the first Kick-Ass movie actually found a heart and made you care about the characters. (Unfortunately, the second film did not translate nearly as well and was missing a heart and/or was toothless.)
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Finished the main Jupiter's Legacy arc (although there are Jupiter's Circle golden age prequels and Jupiter's Legacy: Requiem sequels as well).
The comic book in this case was actually BETTER than S1 of the show. I see what they were trying to do, and expand/drag out the storyline, and they ended up rearranging/reassembling the hell out of it but completely killing the pace and throughline in the process, as well as blunting some of the edge. Millar could done more with the middle of his story in the comic -- it feels like it's all beginning and all ending, little middle. But the show just meanderings all around and feels far more convoluted and less justifiable.
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