Can I request another look at the instinctual variants?
L - Type 5
Self-Preservation
Chief defensive tendency is to withdraw. Sensitive to feeling saturated by the world, Fives with this subtype lose their sense of privacy easily. Can feel knocked over by people's expectations. In isolation they refind their lost sense of balance and build up to the next round of social stresses. More alienated than the other subtypes. May hide in books, live alone or need their own room where they can close themselves off. Take little from others. Sometimes thin. Likely to hoard time and space. Have solitary hobbies and interests, seek comfort and solace alone. Examples include: Kerry Fox, An Angel At My Table; Gena Rowlands, Another Woman; Robin Williams, Awakenings.
Intimate
Intimate Fives trust only a few people but then do so totally. Friendship is based on the sharing of confidences. Intimacy is equivalent to exchanging secrets. Can go from enigmatic, deliberate distance to intense, unguarded openness. Seductive invitation to sharing secrets; seek a total merging. When entranced can be a little kinky. A great movie example is James Spader in sex, lies and videotape. Sharing intimate sexual secrets is what he gets women to do on videotape. Both Monsieur Hire and Mr. Lemorne in The Vanishing show this theme albeit perversely. Ben Kingsley in Turtle Diary also enjoys secrecy and is a little more normal.
Social
Social Fives connect with groups of like-minded people. Enjoy living in the flow of a group interest, sharing knowledge and affiliations. May prefer specialized or esoteric areas of knowledge that exclude all but the initiated. Could live in high society, know the "right" people, belong to the best clubs. Might enjoy speaking a professional language that few people understand. Can be quite friendly but, at times, terrific snobs. Romanticize secret elitist group membership; concerned with titles, degrees, credentials, etc. Realm of academia. Peter O'Toole in Goodbye, Mr. Chips is a good movie example. Also, Anthony Hopkins in 84 Charing Cross Road.
Light - Type 1
Self-Preservation
Characterized by a tendency towards worry and negative anticipation, especially as it relates to material well-being. Can seem a little like Sixes. They fret about how to avoid making mistakes that could jeopardize survival. Petty, finicky quality; could seem "penny-wise and pound-foolish." Sense of being undeserving or inadequate - try to compensate with worry. As a parent or friend, they might be critical and nurturing by turns, wanting to protect you from the same negative consequences they worry about. Self-preservation Ones are not plentiful in movies, but some good examples are Hector Alterio in The Official Story, Melvyn Douglas in I Never Sang For My Father, Joel McCrea in Ride The High Country, and Jessica Tandy in Driving Miss Daisy.
Intimate
May be preoccupied with their romantic partner. Have high expectations based on having idealized their beloved. Their partner is supposed to be perfect man or woman. One's reaction is jealous judgment if their beloved acts in less-than-ideal ways. Jealous Ones may drive partners away with endless criticism. Can have a dependent tendency related to the low side of 2. Most intimate Ones have a 2 wing. Also there's a melancholy yearning and fear of abandonment fueling the One's criticism. Connection to the low side of 4. I found very few intimate Ones in movies but Geraldine Page in The Beguiled displays some of this theme. In The Official Story, Hector Alterio's basic subtype is self-preservation but he has eruptions of jealousy that are based on his high expectations of his wife. Also Cliff Robertson shows this theme to a degree in the movie Picnic.
Social
Social subtype Ones are everywhere in the movies, probably because they create dramatic friction. Characterized by a preoccupation with rules and how they should apply to (other) people's behavior. Tend to moralize and apply old standards inflexibly to each new situation. Believe they are representatives of a larger social order or tradition. They're not, of course - acting as if they represent the rules is their psychological defense. Usually had great uncertainty in childhood, at least one undependable parent. Made themselves rigid to feel strong, aligned with the rules to contain their anxiety. Tend to depersonalize their own feelings, hope to be above criticism. Social Ones can have either wing, though a 9 wing brings rules that are more abstract and inhuman-sounding. Examples in the movies include Glenn Close in The World According To Garp, Louise Fletcher in One Flew Over The Cuckoo's Nest, Alec Guinness in The Bridge On The River Kwai, Raul Julia in Kiss Of The Spider Woman, Joan Plowright in Enchanted April, Jack Lemmon in Missing, Katharine Hepburn in Rooster Cogburn.
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