I'm not so well versed in philosophy or the philosophy of aesthetics. But I do enjoy many kinds of modern art and I want to share a perspective that helps me understand why response to art is so personal and varied, and why thats okay. Many people want to focus on the intention of the artist or the message or statement, but I see it as more fundamental, going deeper than even that.
Lynda Barry said:
At the center of everything we call 'the arts', and children call 'play', is something which seems somehow alive.
It's not alive in the way you and I are alive, but it's certainly not dead.
It's alive in the way our memory is alive.
Alive in the way the ocean is alive and able to transport us and contain us.
Alive in the way thinking is not, but experiencing is, made of both memory and imagination, this is the thing we mean by 'an image'
So art for me is about getting behind images and being pulled by them. Its about images' aliveness and the aliveness that we feel when we experience them.
It happens for the creator and the viewer. The creator isn't merely going through motions to please viewers, creativity is about giving life to ones own personal images. For me as a viewer, appreciating modern art can involve quieting my thoughtful mind and just letting the image take shape, unfold or transform how it is meant to for me. And that doesn't always happen, and I suppose thats why I prefer particular works. Its really not about trying to figure something out, evaluating or judging, or worrying about if the jokes on me. Its about the experience of trusting in a patient state of mind that allows things to reveal themselves. Things that resonate.
But I understand the criticism, the distrust. Its very common. I wondered if this thread would reference
this article which I read recently.
“People untrained in visual art see more than they realize when looking at abstract expressionist paintings. People may say that a child could have made a work by a recognized abstract expressionist, but when forced to choose between a work by a child and one by a master such as Rothko, they are drawn to the Rothko even when the work is falsely attributed to a child or nonhuman. People see the mind behind the art.â€
I also think they see something in themselves reflected. I think thats the power of images.