Mole
Permabanned
- Joined
- Mar 20, 2008
- Messages
- 20,284
All the world’s a stage,And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.
This is on its way towards a periodic table of our psyche.
It provides a map of our psyche, and we are making our way through this psychological map. We start in different places and end in different places, and on our journey we are in different psychological states.
As I write we order this cacophony of psyches with negative feedback loops. And negative feedback loops do give stability.
However if as a group we wish to move from stability to creativity, we need to replace negative feedback loops with positive feedback loops, so rather than making vicious cycles, we make virtuous circles.
In moving from stability to creativity we can expect surprise, and the fear of freedom, and a visceral response to the new and original.
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.
This is on its way towards a periodic table of our psyche.
It provides a map of our psyche, and we are making our way through this psychological map. We start in different places and end in different places, and on our journey we are in different psychological states.
As I write we order this cacophony of psyches with negative feedback loops. And negative feedback loops do give stability.
However if as a group we wish to move from stability to creativity, we need to replace negative feedback loops with positive feedback loops, so rather than making vicious cycles, we make virtuous circles.
In moving from stability to creativity we can expect surprise, and the fear of freedom, and a visceral response to the new and original.
