I am Ti/Fe (with a bit of Fi and not much Te), and I would say that I was able to enjoy portions of this movie while being frustrated with some inconsistencies in the details and the plot itself + not going as deep emotionally as it could have gone if written better.
(So I can't even really answer your poll, it's too binary for me.)
I'd probably give it a 3.5/5, weighted higher because of the topical themes I took away versus the execution which wasn't as good as it might have been. I'd watch it again, as well. But it's not nearly the best Nolan picture out there.
I could grab what Nolan was trying to accomplish -- the feelings, the aspirations -- and he really was trying to grab something rather ethereal but inspiring... but his execution was faulty. It wasn't the actors, who did the best they could with the material and put out some nice performances. (Caine actually had one of his most nuanced Nolan performances here.) There were just missing links in the logic chain, some logical inconsistencies (or things that came across as inconsistent even if not), some "hail mary" intuitive leaps by characters that seemed forced, and the emotions weren't always earned.
---
I started watching Contact (the Director's Cut, which in this case actually is superior to the Theatrical Release, although for some DC's that's not the case) last night again, in comparison, and there's a lot of similarity although it rather deals with like-minded themes from the daughter's POV.
While some of the dialogue between faith and science could have been less watered down, and there's a little bit of deck-stacking (the investigator played by James Woods, Drumlin the two-faced, etc), the execution of the movie and especially the emotional center is far better. It's clear that Zemeckis is more comfortable with emotion on a purely human level than Nolan (who tends to intellectualize it) is.