hmm, i wonder how Fe and Te change the way that Ni organizes itself, understands itself, and how it feels internally?
that definition seemed to overlap with how i see Fe working. on externals, imagining the interior of others based on CONTEXT. i don't know how Fe would work or make sense without this deep appreciation and awareness of context for sfjs. they just learn a few basic techniques and go to bat with them, regardless of the situation? and how tertiary of inferior Ti helps create a few basic logical relationships to help keep the Fe expressions and gesture-recognition on the right track?
i am beginning to consider functions as pairs far more than previously. Fe is Fe-Ti, and Ni is Ni-Se. they have to work as pairs, even if one is more self-aware, complete, independent, etc.
my idea of Ni is pure auto-association. the abstraction emerges like a network, where eventually you can just skip along the airlines only touching down for a bounded step at the main hubs. yet my actual experience feels like a gravitation, in the mind's eye, toward the busiest intersections, feeling the most traffic, where the most significance is in-play, where the balance hangs and threatens to topple/capsize without perfect zen feng shui touch. then, bam- clarity, pulling the frame taut until everything becomes smoothly scaling and focused. but with an attitude pre-arranged/ordained by Fe, by a desire to find a specific angle, style, tone, etc.