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#41 (permalink) | |
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Senior Member
Join Date: Apr 2007
Type: INTP
Posts: 451
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I know you said you were generalizing.... but JEEBUS -- talk to more artists.
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#43 (permalink) |
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Senior Member
Join Date: Apr 2007
Type: INTP
Posts: 451
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It's just that so many of the things that you've listed are SO general that I can see them applying across several types all at the same time, not just to the pigeonholes that you've put them in.
For example, being an NT artist, I'm still concerned with personal expression of meaning [which you relegate to SFs]; I'm concerned with accurate representation of something [insofar as it's important to what I wish to communicate] which you state is something that STs would give preference to, and I have a great interest in symbols and how the public interacts with them -- an NFs artist's area of expertise by your labeling. IMO, I think that creativity and imagination are a little more complex than what you were attempting to describe with your post, that's all. |
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#44 (permalink) | ||||
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Senior Member
Join Date: May 2007
Type: ISTP
Posts: 1,161
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A witty saying proves nothing. - Voltaire |
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#45 (permalink) | |
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The Doctor is IN
Join Date: Apr 2007
Type: INtP
Location: Free at last.
Posts: 14,319
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We can describe some general tendencies, maybe. I've seen SF artists really enjoy sitting and staring at something and drawing it in perfect detail -- basically translating what they see straight onto the page. (That's something I do *not* particularly enjoy, it's just too much literalness for me, and I'd rather think about what things mean and suggest and hint at.) But many SFs also enjoy home decoration, in terms of creating a visibly beautiful home with a particular cheerful ambiance. There, they are going for an ambiance. So already we have two different "styles" that are being used. I think with the S just tends, though, to be much more concreteness and literalness about their art. On the other hand, N's are much more into the notion of the symbol, whether they are evoking ideas or complex feelings. Still, there is a lot of overlap. I don't know how easy it is to separate by type. For myself, I know my art tends to be a very strong mix of NT and NF, not a ton of S. |
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#46 (permalink) |
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Senior Member
Join Date: May 2007
Type: ISTP
Posts: 1,161
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I think for me, my artistic ability comes in creating something tangible yet practical. I nice dinner or food for my family, gardening and being out in my yard, designing and developing, programs to provide self-sufficiency for the underprivileged, and most important offering creating means of resolving problems, in a practical manner. Now granted if I had the equipment I would spend days enjoying commercial art for it's own sake. I would enjoy putting music to a video to impact the tone. During college, I worked in the Audio Visual department.
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A witty saying proves nothing. - Voltaire |
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#47 (permalink) | |
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Full Circle
Join Date: May 2007
Type: ENTP
Location: Detroit, Michigan
Posts: 8,534
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It's just that in the past, people have asked me what I'm trying to "say" when they looked at my art. And I'm just both confused and annoyed with the question. I don't try to put definite "underlying messages" in my work, it's just a piece of an idea I had in my head and wanted to express. I'm not trying to associate any of my work with something reality based and I'm not trying to make some sort of "social commentary" about life, but it seems that art and literary critics are always trying to decipher "meaning" and "subliminal messages" in things. When I create my art, I'm not aware that I'm supposed to say anything "meaningful" because art means different things to different people. Sure my artwork means something to me, but it's nothing that words could describe. When I look at other people's art, I don't ask what their creations "mean" in the definite sense, I look at what it means to me. That's just the thing that confuses me. Normally when I look at artwork that catches my eye, I indulge in my imagination, but I'm not trying to find a definite meaning. So would this whole "meaning" thing normally associated with iNtuitive preference be more related imaginative thinking than a definite meaning? Because asking what people mean by something seems to be more concrete thinking.
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"Place quotes in your signature to appear profound."
--Uberfuhrer |
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#48 (permalink) | |
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Iconoclast
Join Date: Apr 2007
Type: INTP
Posts: 2,527
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There are two conventional definitions of creativity, adaptive and innovative. Adaptive is about working with variables that already exist to create a more congenial concrete environment. This kind of creativity is usually utilized to the end of bringing stability to society. The innovative creativity is more in line with the conventional definition of creativity. The ability to generate abstract ideas. An entity does not need to be abstract in order to be considered an idea, as we see that creative sensors often come up with ideas pertaining to the concrete world. The reason why the latter is called innovative and the former does not because the latter is contingent upon the mind for creation of ideas, yet the former on the physical world. Neither of the two is any more 'original', and in the conventional sense of the word, neither is original, because they both depend on an extraneous variable for stimulation. Adaptive creativity is often not considered creativity at all because it is clear that it depends on something else for stimulation, whereas it is much less clear that the same is the case for the innovative creativity. In short, neither the sensors nor the intuitors are 'creative', yet with Sensors this is easier to notice.
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'And the great deadly serpent Superstition, bred of fear and ignorance, keeps watch on the treasure of knowledge. Only he who has slain the serpent and knows not fear can bestride Odin's horse and ride through the wall of fire; only he who wields Odin's sword can draw near to that sleeping might and beauty, and sunder the stifling links of mail, and show the divine face to men.' 'To be a philosopher,you must first be a Spinozist; if you have not Spinozism, you have no philosophy at all' Hegel |
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#49 (permalink) |
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nucking futs
Join Date: Apr 2007
Type: INTP
Location: somewhere
Posts: 1,489
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Interesting thread.
I think the closest I come to an S experience is when I paint or draw. I'm a math/scientist geek at heart but I like to paint and draw. I was wondering if any of the S's on here identify with my experience of painting (below)? Or how the N's see this experience? I haven't put this up as a description of how S-types do art, it's just the only example I have where I do something purely for the physical and visual sensations and where I'm actually paying attention to the world around me (well, a little bit anyway). I paint because I enjoy the feeling of the brush on canvas and the smoothness of the paint as it goes on the canvas. I love the feel of soft bristles. I love the colours and mixing them on a palette. I love mixing and blending the colours on canvas to get smooth gradations in colour. I love the freehand quick sketch of pencil on canvas before I start painting, although I don't like the feel of the graphite scraping across the roughness of canvas. I love painting bright bright colours and I love looking at my paintings on my walls because the colours are so vibrant. I don't paint to express ideas or emotions or symbolism or any other meaning (occasionally I see something from my subconcious has crept into some of my drawings but it's never deliberate). I feel like this is an 'S' outlet for me and I'm lucky enough to have just enough artistic talent to enjoy the end results.
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...so much smoke pouring out of each chromosome. |
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#50 (permalink) | |
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Senior Member
Join Date: May 2007
Type: INFJ
Location: Earth
Posts: 122
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This is the first time I have seem someone speak about whether someone prefers a certain way over another. When it is worded, "do you like x or y" it is too black and white. We all use all the functions to varying degrees. Whether someone is S or N has to do with their "preference" or their "natural inclination" most of the time.
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People who get nostalgic about childhood were obviously never children. Bill Watterson, Calvin and Hobbes US cartoonist (1958 - )
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