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Why is it difficult to describe Ni?

Thisica

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I have looked at various threads through the intertubes, and also some of the references to MBTI-type stuff, but I am puzzled by this common feature of the function.

[Or perhaps I'm tricking myself into believing it's difficult, since I'm Ni-dom...:shrug:]
 

Athenian200

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I have looked at various threads through the intertubes, and also some of the references to MBTI-type stuff, but I am puzzled by this common feature of the function.

[Or perhaps I'm tricking myself into believing it's difficult, since I'm Ni-dom...:shrug:]

I think that to some extent, it's difficult to describe ANY introverted function. Ti maybe a bit less difficult, but all three of the others? Yeah, there are elements of them that I believe are often missed and misunderstood.
 

Thisica

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Of course! But I would like details, though hard it may be :)
 

Athenian200

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Of course! But I would like details, though hard it may be :)

Here are all the details you could ever use, straight from the source:

8. Intuition

Intuition, in the introverted attitude, is directed upon the inner object, a term we might justly apply to the elements of the unconscious. For the relation of inner objects to consciousness is entirely analogous to that of outer objects, although theirs is a psychological and not a physical reality. Inner objects appear to the intuitive perception as subjective images of things, which, though not met with in external experience, really determine the contents of the unconscious, i.e. the collective unconscious, in the last resort. Naturally, in their per se character, these contents are, not accessible to experience, a quality which they have in common with the outer object. For just as outer objects correspond only relatively with our perceptions of them, so the phenomenal forms of the inner object are also relative; products of their (to us) inaccessible essence and of the peculiar nature of the intuitive function. Like sensation, intuition also has its subjective factor, which is suppressed to the farthest limit in the extraverted intuition, but which becomes the decisive factor in the intuition of the introvert. Although this intuition may receive its impetus from outer objects, it is never arrested by the external possibilities, but stays with that factor which the outer object releases within.

Whereas introverted sensation is mainly confined to the perception of particular innervation phenomena by way of the unconscious, and does not go beyond them, intuition represses this side of the subjective factor and perceives the image which has really occasioned the innervation. Supposing, for instance, a man is overtaken by a psychogenic attack of giddiness. Sensation is arrested by the peculiar character of this innervationdisturbance, perceiving all its qualities, its intensity, its transient course, the nature of its origin and disappearance [p. 506] in their every detail, without raising the smallest inquiry concerning the nature of the thing which produced the disturbance, or advancing anything as to its content. Intuition, on the other hand, receives from the sensation only the impetus to immediate activity; it peers behind the scenes, quickly perceiving the inner image that gave rise to the specific phenomenon, i.e. the attack of vertigo, in the present case. It sees the image of a tottering man pierced through the heart by an arrow. This image fascinates the intuitive activity; it is arrested by it, and seeks to explore every detail of it. It holds fast to the vision, observing with the liveliest interest how the picture changes, unfolds further, and finally fades. In this way introverted intuition perceives all the background processes of consciousness with almost the same distinctness as extraverted sensation senses outer objects. For intuition, therefore, the unconscious images attain to the dignity of things or objects. But, because intuition excludes the co-operation of sensation, it obtains either no knowledge at all or at the best a very inadequate awareness of the innervation-disturbances or of the physical effects produced by the unconscious images. Accordingly, the images appear as though detached from the subject, as though existing in themselves without relation to the person.

Consequently, in the above-mentioned example, the introverted intuitive, when affected by the giddiness, would not imagine that the perceived image might also in some way refer to himself. Naturally, to one who is rationally orientated, such a thing seems almost unthinkable, but it is none the less a fact, and I have often experienced it in my dealings with this type.

The remarkable indifference of the extraverted intuitive in respect to outer objects is shared by the introverted intuitive in relation to the inner objects. Just as the extraverted intuitive is continually scenting out new [p. 507] possibilities, which he pursues with an equal unconcern both for his own welfare and for that of others, pressing on quite heedless of human considerations, tearing down what has only just been established in his everlasting search for change, so the introverted intuitive moves from image to image, chasing after every possibility in the teeming womb of the unconscious, without establishing any connection between the phenomenon and himself. Just as the world can never become a moral problem for the man who merely senses it, so the world of images is never a moral problem to the intuitive. To the one just as much as to the other, it is an ae[]sthenic problem, a question of perception, a 'sensation'. In this way, the consciousness of his own bodily existence fades from the introverted intuitive's view, as does its effect upon others. The extraverted standpoint would say of him: 'Reality has no existence for him; he gives himself up to fruitless phantasies'. A perception of the unconscious images, produced in such inexhaustible abundance by the creative energy of life, is of course fruitless from the standpoint of immediate utility. But, since these images represent possible ways of viewing life, which in given circumstances have the power to provide a new energic potential, this function, which to the outer world is the strangest of all, is as indispensable to the total psychic economy as is the corresponding human type to the psychic life of a people. Had this type not existed, there would have been no prophets in Israel.

Introverted intuition apprehends the images which arise from the a priori, i.e. the inherited foundations of the unconscious mind. These archetypes, whose innermost nature is inaccessible to experience, represent the precipitate of psychic functioning of the whole ancestral line, i.e. the heaped-up, or pooled, experiences of organic existence in general, a million times repeated, and condensed into types. Hence, in these archetypes all experiences are [p. 508] represented which since primeval time have happened on this planet. Their archetypal distinctness is the more marked, the more frequently and intensely they have been experienced. The archetype would be -- to borrow from Kant -- the noumenon of the image which intuition perceives and, in perceiving, creates.

Since the unconscious is not just something that lies there, like a psychic caput mortuum, but is something that coexists and experiences inner transformations which are inherently related to general events, introverted intuition, through its perception of inner processes, gives certain data which may possess supreme importance for the comprehension of general occurrences: it can even foresee new possibilities in more or less clear outline, as well as the event which later actually transpires. Its prophetic prevision is to be explained from its relation to the archetypes which represent the law-determined course of all experienceable things.

9. The Introverted Intuitive Type

The peculiar nature of introverted intuition, when given the priority, also produces a peculiar type of man, viz. the mystical dreamer and seer on the one hand, or the fantastical crank and artist on the other. The latter might be regarded as the normal case, since there is a general tendency of this type to confine himself to the perceptive character of intuition. As a rule, the intuitive stops at perception; perception is his principal problem, and -- in the case of a productive artist-the shaping of perception. But the crank contents himself with the intuition by which he himself is shaped and determined. Intensification of intuition naturally often results in an extraordinary aloofness of the individual from tangible reality; he may even become a complete enigma to his own immediate circle. [p. 509]

If an artist, he reveals extraordinary, remote things in his art, which in iridescent profusion embrace both the significant and the banal, the lovely and the grotesque, the whimsical and the sublime. If not an artist, he is frequently an unappreciated genius, a great man 'gone wrong', a sort of wise simpleton, a figure for 'psychological' novels.

Although it is not altogether in the line of the introverted intuitive type to make of perception a moral problem, since a certain reinforcement of the rational functions is required for this, yet even a relatively slight differentiation of judgment would suffice to transfer intuitive perception from the purely æsthetic into the moral sphere. A variety of this type is thus produced which differs essentially from its æsthetic form, although none the less characteristic of the introverted intuitive. The moral problem comes into being when the intuitive tries to relate himself to his vision, when he is no longer satisfied with mere perception and its æsthetic shaping and estimation, but confronts the question: What does this mean for me and for the world? What emerges from this vision in the way of a duty or task, either for me or for the world? The pure intuitive who represses judgment or possesses it only under the spell of perception never meets this question fundamentally, since his only problem is the How of perception. He, therefore, finds the moral problem unintelligible, even absurd, and as far as possible forbids his thoughts to dwell upon the disconcerting vision. It is different with the morally orientated intuitive. He concerns himself with the meaning of his vision; he troubles less about its further æsthetic possibilities than about the possible moral effects which emerge from its intrinsic significance. His judgment allows him to discern, though often only darkly, that he, as a man and as a totality, is in some way inter-related with his vision, that [p. 510] it is something which cannot just be perceived but which also would fain become the life of the subject. Through this realization he feels bound to transform his vision into his own life. But, since he tends to rely exclusively upon his vision, his moral effort becomes one-sided; he makes himself and his life symbolic, adapted, it is true, to the inner and eternal meaning of events, but unadapted to the actual present-day reality. Therewith he also deprives himself of any influence upon it, because he remains unintelligible. His language is not that which is commonly spoken -- it becomes too subjective. His argument lacks convincing reason. He can only confess or pronounce. His is the 'voice of one crying in the wilderness'.

The introverted intuitive's chief repression falls upon the sensation of the object. His unconscious is characterized by this fact. For we find in his unconscious a compensatory extraverted sensation function of an archaic character. The unconscious personality may, therefore, best be described as an extraverted sensation-type of a rather low and primitive order. Impulsiveness and unrestraint are the characters of this sensation, combined with an extraordinary dependence upon the sense impression. This latter quality is a compensation to the thin upper air of the conscious attitude, giving it a certain weight, so that complete 'sublimation' is prevented. But if, through a forced exaggeration of the conscious attitude, a complete subordination to the inner perception should develop, the unconscious becomes an opposition, giving rise to compulsive sensations whose excessive dependence upon the object is in frank conflict with the conscious attitude. The form of neurosis is a compulsion-neurosis, exhibiting symptoms that are partly hypochondriacal manifestations, partly hypersensibility of the sense organs and partly compulsive ties to definite persons or other objects. [p. 511]

10. Recapitulation of Introverted Irrational Types

The two types just depicted are almost inaccessible to external judgment. Because they are introverted and have in consequence a somewhat meagre capacity or willingness for expression, they offer but a frail handle for a telling criticism. Since their main activity is directed within, nothing is outwardly visible but reserve, secretiveness, lack of sympathy, or uncertainty, and an apparently groundless perplexity. When anything does come to the surface, it usually consists in indirect manifestations of inferior and relatively unconscious functions. Manifestations of such a nature naturally excite a certain environmental prejudice against these types. Accordingly they are mostly underestimated, or at least misunderstood. To the same degree as they fail to understand themselves -- because they very largely lack judgment -- they are also powerless to understand why they are so constantly undervalued by public opinion. They cannot see that their outward-going expression is, as a matter of fact, also of an inferior character. Their vision is enchanted by the abundance of subjective events. What happens there is so captivating, and of such inexhaustible attraction, that they do not appreciate the fact that their habitual communications to their circle express very, little of that real experience in which they themselves are, as it were, caught up. The fragmentary and, as a rule, quite episodic character of their communications make too great a demand upon the understanding and good will of their circle; furthermore, their mode of expression lacks that flowing warmth to the object which alone can have convincing force. On the contrary, these types show very often a brusque, repelling demeanour towards the outer world, although of this they are quite unaware, and have not the least intention of showing it. We shall form a [p. 512] fairer judgment of such men and grant them a greater indulgence, when we begin to realize how hard it is to translate into intelligible language what is perceived within. Yet this indulgence must not be so liberal as to exempt them altogether from the necessity of such expression. This could be only detrimental for such types. Fate itself prepares for them, perhaps even more than for other men, overwhelming external difficulties, which have a very sobering effect upon the intoxication of the inner vision. But frequently only an intense personal need can wring from them a human expression.

From an extraverted and rationalistic standpoint, such types are indeed the most fruitless of men. But, viewed from a higher standpoint, such men are living evidence of the fact that this rich and varied world with its overflowing and intoxicating life is not purely external, but also exists within. These types are admittedly one sided demonstrations of Nature, but they are an educational experience for the man who refuses to be blinded by the intellectual mode of the day. In their own way, men with such an attitude are educators and promoters of culture. Their life teaches more than their words. From their lives, and not the least from what is just their greatest fault, viz. their incommunicability, we may understand one of the greatest errors of our civilization, that is, the superstitious belief in statement and presentation, the immoderate overprizing of instruction by means of word and method. A child certainly allows himself to be impressed by the grand talk of its parents. But is it really imagined that the child is thereby educated? Actually it is the parents' lives that educate the child -- what they add thereto by word and gesture at best serves only to confuse him. The same holds good for the teacher. But we have such a belief in method that, if only the method be good, the practice of it seems to hallow the teacher. An inferior [p. 513] man is never. a good teacher. But he can conceal his injurious inferiority, which secretly poisons the pupil, behind an excellent method or, an equally brilliant intellectual capacity. Naturally the pupil of riper years desires nothing better than the knowledge of useful methods, because he is already defeated by the general attitude, which believes in the victorious method. He has already learnt that the emptiest head, correctly echoing a method, is the best pupil. His whole environment not only urges but exemplifies the doctrine that all success and happiness are external, and that only the right method is needed to attain the haven of one's desires. Or is the life of his religious instructor likely to demonstrate that happiness which radiates from the treasure of the inner vision? The irrational introverted types are certainly no instructors of a more complete humanity. They lack reason and the ethics of reason, but their lives teach the other possibility, in which our civilization is so deplorably wanting.
 

Thisica

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Athenian2000: The description from Jung was helpful, though extensive. But I wonder whether his description of Ni is generalisable to women and to what extent. [I'm not saying that Ni-dom women are very different from Ni-dom men, however, just to cover any future accusations of magnifying small differences in people's traits :) ]
 

guesswho

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From the extraverted point of view. It's like the matrioska dolls, but reversed.

You open the small one, and discover it contains a bigger one. And so on. :laugh:
 

Thisica

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From the extraverted point of view. It's like the matrioska dolls, but reversed.

You open the small one, and discover it contains a bigger one. And so on. :laugh:

Indeed! You don't want to be in my shoes; my supposedly largest Russian doll will be so large as to encompass the entire observable universe! This is what I get from having a ridiculous sense of scale of the world.
 

uumlau

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It's difficult to describe because it is the least concrete perceiving function - there is nothing in the real world to point at as a reference, it's all inside our heads. I didn't even know that my thinking was somehow "different," because it just got described as "smart." The first clue I had that I thought differently was that my explanations for why things were true just didn't register with people. In function-speak, I had to work on Te to actually explain my conclusions, but even then that didn't explain how I thought about things, all it did was supply objective (e) logical (T) "proof" that I knew what I was talking about.

It's also difficult to see oneself as being an "Ni dom." Jung is often typed as INTP (and I heard/read somewhere that he typed himself as INTP or Ti, but I don't have a source), yet if you read his writing, such as his original text on types, it doesn't read anything like an INTP would write: it's full of Ni-thinking. So, in MBTI terms, he was definitely an "introverted thinker" (INTx), but his writing makes it clear that INTJ (Ni) is far more probable than INTP (Ti). So, if I am right, and the originator of the concept of Ni couldn't see it in himself, what are we to make of Ni?
 
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Thisica

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It's difficult to describe because it is the least concrete perceiving function - there is nothing in the real world to point at as a reference, it's all inside our heads. I didn't even know that my thinking was somehow "different," because it just got describe as "smart." The first clue I had that I thought differently was that my explanations for why things were true just didn't register with people. In function-speak, I had to work on Te to actually explain my conclusions, but even then that didn't explain how I thought about things, all it did was supply objective (e) logical (T) "proof" that I knew what I was talking about.

It's also difficult to see oneself as being an "Ni dom." Jung is often typed as INTP (and I heard/read somewhere that he typed himself as INTP or Ti, but I don't have a source), yet if you read his writing, such as his original text on types, it doesn't read anything like an INTP would write: it's full of Ni-thinking. So, in MBTI terms, he was definitely an "introverted thinker" (INTx), but his writing makes it clear that INTJ (Ni) is far more probably than INTP (Ti). So, if I am right, and the originator of the concept of Ni couldn't see it in himself, what are we to make of Ni?

It's tricky, even for such an introspective person like Jung. Maybe he was so lost in his thoughts that he didn't see himself that way. Perhaps I might have been self-deluded all along :( [about my Ni status].
 

Athenian200

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Athenian2000: The description from Jung was helpful, though extensive. But I wonder whether his description of Ni is generalisable to women and to what extent. [I'm not saying that Ni-dom women are very different from Ni-dom men, however, just to cover any future accusations of magnifying small differences in people's traits :) ]

I believe that they should be generalized to people regardless of gender, especially among the Introverted functions.

The only functions that show a gender bias are Thinking and Feeling. I've heard that Jung noted a tendency for women to prefer Fe and Ne, and for men to prefer Te and Se. But the Se/Ne one is often disputed.

Ni is very rare in both genders, but it produces a similar character in either one. The term "he" is only used for grammatical reasons. "They" would not technically be correct, because a gendered pronoun is, historically, more grammatically correct even if referring to hypothetical people of unknown gender.
 

uumlau

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Do you have Jung's description of Ti?

Here is a link to the full text of Psychological Types by Jung.

The relevant section:

Jung said:
(III) PECULIARITIES OF THE BASIC PSYCHOLOGICAL FUNCTIONS IN THE INTROVERTED ATTITUDE

1. Thinking

When describing extraverted thinking, I gave a brief characterization of introverted thinking, to which at this stage I must make further reference. Introverted thinking is primarily orientated by the subjective factor. At the least, this subjective factor is represented by a subjective feeling of direction, which, in the last resort, determines judgment. Occasionally, it is a more or less finished image, which to some extent, serves as a standard. This thinking may be conceived either with concrete or with abstract factors, but always at the decisive points it is orientated by subjective data. Hence, it does not lead from concrete experience back again into objective things, but always to the subjective content, External facts are not the aim and origin of this thinking, although the introvert would often like to make it so appear. It begins in the subject, and returns to the subject, although it may [p. 481] undertake the widest flights into the territory of the real and the actual. Hence, in the statement of new facts, its chief value is indirect, because new views rather than the perception of new facts are its main concern. It formulates questions and creates theories; it opens up prospects and yields insight, but in the presence of facts it exhibits a reserved demeanour. As illustrative examples they have their value, but they must not prevail. Facts are collected as evidence or examples for a theory, but never for their own sake. Should this latter ever occur, it is done only as a compliment to the extraverted style. For this kind of thinking facts are of secondary importance; what, apparently, is of absolutely paramount importance is the development and presentation of the subjective idea, that primordial symbolical image standing more or less darkly before the inner vision. Its aim, therefore, is never concerned with an intellectual reconstruction of concrete actuality, but with the shaping of that dim image into a resplendent idea. Its desire is to reach reality; its goal is to see how external facts fit into, and fulfil, the framework of the idea; its actual creative power is proved by the fact that this thinking can also create that idea which, though not present in the external facts, is yet the most suitable, abstract expression of them. Its task is accomplished when the idea it has fashioned seems to emerge so inevitably from the external facts that they actually prove its validity.

But just as little as it is given to extraverted thinking to wrest a really sound inductive idea from concrete facts or ever to create new ones, does it lie in the power of introverted thinking to translate its original image into an idea adequately adapted to the facts. For, as in the former case the purely empirical heaping together of facts paralyses thought and smothers their meaning, so in the latter case introverted thinking shows a dangerous tendency [p. 482] to coerce facts into the shape of its image, or by ignoring them altogether, to unfold its phantasy image in freedom. In such a case, it will be impossible for the presented idea to deny its origin from the dim archaic image. There will cling to it a certain mythological character that we are prone to interpret as 'originality', or in more pronounced cases' as mere whimsicality; since its archaic character is not transparent as such to specialists unfamiliar with mythological motives. The subjective force of conviction inherent in such an idea is usually very great; its power too is the more convincing, the less it is influenced by contact with outer facts. Although to the man who advocates the idea, it may well seem that his scanty store of facts were the actual ground and source of the truth and validity of his idea, yet such is not the case, for the idea derives its convincing power from its unconscious archetype, which, as such, has universal validity and everlasting truth. Its truth, however, is so universal and symbolic, that it must first enter into the recognized and recognizable knowledge of the time, before it can become a practical truth of any real value to life. What sort of a causality would it be, for instance, that never became perceptible in practical causes and practical results?

This thinking easily loses itself in the immense truth of the subjective factor. It creates theories for the sake of theories, apparently with a view to real or at least possible facts, yet always with a distinct tendency to go over from the world of ideas into mere imagery. Accordingly many intuitions of possibilities appear on the scene, none of which however achieve any reality, until finally images are produced which no longer express anything externally real, being 'merely' symbols of the simply unknowable. It is now merely a mystical thinking and quite as unfruitful as that empirical thinking whose sole operation is within the framework of objective facts. [p. 483]

Whereas the latter sinks to the level of a mere presentation of facts, the former evaporates into a representation of the unknowable, which is even beyond everything that could be expressed in an image. The presentation of facts has a certain incontestable truth, because the subjective factor is excluded and the facts speak for themselves. Similarly, the representing of the unknowable has also an immediate, subjective, and convincing power, because it is demonstrable from its own existence. The former says 'Est, ergo est' ('It is ; therefore it is') ; while the latter says 'Cogito, ergo cogito' (' I think ; therefore I think'). In the last analysis, introverted thinking arrives at the evidence of its own subjective being, while extraverted thinking is driven to the evidence of its complete identity with the objective fact. For, while the extravert really denies himself in his complete dispersion among objects, the introvert, by ridding himself of each and every content, has to content himself with his mere existence. In both cases the further development of life is crowded out of the domain of thought into the region of other psychic functions which had hitherto existed in relative unconsciousness. The extraordinary impoverishment of introverted thinking in relation to objective facts finds compensation in an abundance of unconscious facts. Whenever consciousness, wedded to the function of thought, confines itself within the smallest and emptiest circle possible -- though seeming to contain the plenitude of divinity -- unconscious phantasy becomes proportionately enriched by a multitude of archaically formed facts, a veritable pandemonium of magical and irrational factors, wearing the particular aspect that accords with the nature of that function which shall next relieve the thought-function as the representative of life. If this should be the intuitive function, the 'other side' will be viewed with the eyes of a Kubin or a Meyrink. If it is the feeling-function, [p. 484] there arise quite unheard of and fantastic feeling-relations, coupled with feeling-judgments of a quite contradictory and unintelligible character. If the sensation-function, then the senses discover some new and never-before-experienced possibility, both within and without the body. A closer investigation of such changes can easily demonstrate the reappearance of primitive psychology with all its characteristic features. Naturally, the thing experienced is not merely primitive but also symbolic; in fact, the older and more primeval it appears, the more does it represent the future truth: since everything ancient in our unconscious means the coming possibility.

Under ordinary circumstances, not even the transition to the 'other side' succeeds -- still less the redeeming journey through the unconscious. The passage across is chiefly prevented by conscious resistance to any subjection of the ego to the unconscious reality and to the determining reality of the unconscious object. The condition is a dissociation-in other words, a neurosis having the character of an inner wastage with increasing brain-exhaustion -- a psychoasthenia, in fact.

2. The Introverted Thinking Type

Just as Darwin might possibly represent the normal extraverted thinking type, so we might point to Kant as a counter-example of the normal introverted thinking type. The former speaks with facts; the latter appeals to the subjective factor. Darwin ranges over the wide fields of objective facts, while Kant restricts himself to a critique of knowledge in general. But suppose a Cuvier be contrasted with a Nietzsche: the antithesis becomes even sharper.

The introverted thinking type is characterized by a priority of the thinking I have just described. Like his [p. 485] extraverted parallel, he is decisively influenced by ideas; these, however, have their origin, not in the objective data but in the subjective foundation. Like the extravert, he too will follow his ideas, but in the reverse direction: inwardly not outwardly. Intensity is his aim, not extensity. In these fundamental characters he differs markedly, indeed quite unmistakably from his extraverted parallel. Like every introverted type, he is almost completely lacking in that which distinguishes his counter type, namely, the intensive relatedness to the object. In the case of a human object, the man has a distinct feeling that he matters only in a negative way, i.e., in milder instances he is merely conscious of being superfluous, but with a more extreme type he feels himself warded off as something definitely disturbing. This negative relation to the object-indifference, and even aversion-characterizes every introvert; it also makes a description of the introverted type in general extremely difficult. With him, everything tends to disappear and get concealed. His judgment appears cold, obstinate, arbitrary, and inconsiderate, simply because he is related less to the object than the subject. One can feel nothing in it that might possibly confer a higher value upon the object; it always seems to go beyond the object, leaving behind it a flavour of a certain subjective superiority. Courtesy, amiability, and friendliness may be present, but often with a particular quality suggesting a certain uneasiness, which betrays an ulterior aim, namely, the disarming of an opponent, who must at all costs be pacified and set at ease lest he prove a disturbing- element. In no sense, of course, is he an opponent, but, if at all sensitive, he will feel somewhat repelled, perhaps even depreciated. Invariably the object has to submit to a certain neglect; in worse cases it is even surrounded with quite unnecessary measures of precaution. Thus it happens that this type tends to [p. 486]

disappear behind a cloud of misunderstanding, which only thickens the more he attempts to assume, by way of compensation and with the help of his inferior functions, a certain mask of urbanity, which often presents a most vivid contrast to his real nature. Although in the extension of his world of ideas he shrinks from no risk, however daring, and never even considers the possibility that such a world might also be dangerous, revolutionary, heretical, and wounding to feeling, he is none the less a prey to the liveliest anxiety, should it ever chance to become objectively real. That goes against the grain. When the time comes for him to transplant his ideas into the world, his is by no means the air of an anxious mother solicitous for her children's welfare; he merely exposes them, and is often extremely annoyed when they fail to thrive on their own account. The decided lack he usually displays in practical ability, and his aversion from any sort of re[accent]clame assist in this attitude. If to his eyes his product appears subjectively correct and true, it must also be so in practice, and others have simply got to bow to its truth. Hardly ever will he go out of his way to win anyone's appreciation of it, especially if it be anyone of influence. And, when he brings himself to do so, he is usually so extremely maladroit that he merely achieves the opposite of his purpose. In his own special province, there are usually awkward experiences with his colleagues, since he never knows how to win their favour; as a rule he only succeeds in showing them how entirely superfluous they are to him. In the pursuit of his ideas he is generally stubborn, head-strong, and quite unamenable to influence. His suggestibility to personal influences is in strange contrast to this. An object has only to be recognized as apparently innocuous for such a type to become extremely accessible to really inferior elements. They lay hold of him from the [p. 487] unconscious. He lets himself be brutalized and exploited in the most ignominious way, if only he can be left undisturbed in the pursuit of his ideas. He simply does not see when he is being plundered behind his back and wronged in practical ways: this is because his relation to the object is such a secondary matter that lie is left without a guide in the purely objective valuation of his product. In thinking out his problems to the utmost of his ability, he also complicates them, and constantly becomes entangled in every possible scruple. However clear to himself the inner structure of his thoughts may be, he is not in the least clear where and how they link up with the world of reality. Only with difficulty can he persuade himself to admit that what is clear to him may not be equally clear to everyone. His style is usually loaded and complicated by all sorts of accessories, qualifications, saving clauses, doubts, etc., which spring from his exacting scrupulousness. His work goes slowly and with difficulty. Either he is taciturn or he falls among people who cannot understand him; whereupon he proceeds to gather further proof of the unfathomable stupidity of man. If he should ever chance to be understood, he is credulously liable to overestimate. Ambitious women have only to understand how advantage may be taken of his uncritical attitude towards the object to make an easy prey of him; or he may develop into a misanthropic bachelor with a childlike heart. Then, too, his outward appearance is often gauche, as if he were painfully anxious to escape observation; or he may show a remarkable unconcern, an almost childlike naivete. In his own particular field of work he provokes violent contradiction, with which he has no notion how to deal, unless by chance he is seduced by his primitive affects into biting and fruitless polemics. By his wider circle he is counted inconsiderate and domineering. But the [p. 488] better one knows him, the more favourable one's judgment becomes, and his nearest friends are well aware how to value his intimacy. To people who judge him from afar he appears prickly, inaccessible, haughty; frequently he may even seem soured as a result of his anti-social prejudices. He has little influence as a personal teacher, since the mentality of his pupils is strange to him. Besides, teaching has, at bottom, little interest for him, except when it accidentally provides him with a theoretical problem. He is a poor teacher, because while teaching his thought is engaged with the actual material, and will not be satisfied with its mere presentation.

With the intensification of his type, his convictions become all the more rigid and unbending. Foreign influences are eliminated; he becomes more unsympathetic to his peripheral world, and therefore more dependent upon his intimates. His expression becomes more personal and inconsiderate and his ideas more profound, but they can no longer be adequately expressed in the material at hand. This lack is replaced by emotivity and susceptibility. The foreign influence, brusquely declined from without, reaches him from within, from the side of the unconscious, and he is obliged to collect evidence against it and against things in general which to outsiders seems quite superfluous. Through the subjectification of consciousness occasioned by his defective relationship to the object, what secretly concerns his own person now seems to him of chief importance. And he begins to confound his subjective truth with his own person. Not that he will attempt to press anyone personally with his convictions, but he will break out with venomous and personal retorts against every criticism, however just. Thus in every respect his isolation gradually increases. His originally fertilizing ideas become destructive, because poisoned by a kind of sediment of bitterness. His struggle against the influences emanating [p. 489] from the unconscious increases with his external isolation, until gradually this begins to cripple him. A still greater isolation must surely protect him from the unconscious influences, but as a rule this only takes him deeper into the conflict which is destroying him within.

The thinking of the introverted type is positive and synthetic in the development of those ideas which in ever increasing measure approach the eternal validity of the primordial images. But, when their connection with objective experience begins to fade, they become mythological and untrue for the present situation. Hence this thinking holds value only for its contemporaries, just so long as it also stands in visible and understandable connection with the known facts of the time. But, when thinking becomes mythological, its irrelevancy grows until finally it gets lost in itself. The relatively unconscious functions of feeling, intuition, and sensation, which counterbalance introverted thinking, are inferior in quality and have a primitive, extraverted character, to which all the troublesome objective influences this type is subject to must be ascribed. The various measures of self-defence, the curious protective obstacles with which such people are wont to surround themselves, are sufficiently familiar, and I may, therefore, spare myself a description of them. They all serve as a defence against 'magical' influences; a vague dread of the other sex also belongs to this category.
 

Perch420

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Ni, in my mind, is conceptual internal abstractions. It's hard to describe in words because it doesn't use language or logic or any other system through which it can be explained.

Here's an example of Ni at work, or at least what I think is Ni at work: I was eating some chips and I chewed them in such a way that they became stuck in my molar. It hurt a bit, but it wasn't anything serious. This cemented the idea of something achieving a certain form and doing something once it achieved that form. The idea was separate from the experience itself; it was just a concept.

The next day I woke up and remembered that I forgot to seal the bag. All the chips were now stale and hard. This also cemented the idea of something degrading over time. "Staleness" and "hardness" had nothing to do with the concept. It was just itself. It was a mix of all sorts of colors, mostly shades of gray, physical sensations, mainly the feeling of the stale chips, old fruit that I'd eaten before, stepping on half-melted snow, and images of old people. This could also be Ti, I don't know. Can any confirmed Ni-dom say if he identifies with this or not?
 

uumlau

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Ni, in my mind, is conceptual internal abstractions. It's hard to describe in words because it doesn't use language or logic or any other system through which it can be explained.

Here's an example of Ni at work, or at least what I think is Ni at work: I was eating some chips and I chewed them in such a way that they became stuck in my molar. It hurt a bit, but it wasn't anything serious. This cemented the idea of something achieving a certain form and doing something once it achieved that form. The idea was separate from the experience itself; it was just a concept.

The next day I woke up and remembered that I forgot to seal the bag. All the chips were now stale and hard. This also cemented the idea of something degrading over time. "Staleness" and "hardness" had nothing to do with the concept. It was just itself. It was a mix of all sorts of colors, mostly shades of gray, physical sensations, mainly the feeling of the stale chips, old fruit that I'd eaten before, stepping on half-melted snow, and images of old people. This could also be Ti, I don't know. Can any confirmed Ni-dom say if he identifies with this or not?

In my experience, the bolded is often associated with Si; that is, very specific memories (subjective experience) of sensations. One of the reasons a skilled Si-dom has such good memory is that they can "read the textbook in their head" for a test. What is recalled is the concrete sensation, not the idea. Ni tends to remember the ideas, but not where they were learned. The ideas lose their association with particular sensations/events. Not that I don't have any specific memories, but rather that I tend to store ideas instead of specifics.
 

Perch420

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They weren't specific. All those things bundled up together into one cohesive "thing" that I experienced all at once. Only when I analyzed it did I track back those specific experiences as giving off similar vibes to the first "thing".
 

rav3n

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Not an expert but I'm going to try to put Ni into words, as it appears to me, in combination of words and theories from others.

Someone once mentioned that Ni is like a deck of cards where each card is one perspective. This needs to be expanded on. Each card in the deck might be a different size and the face of the card isn't in any specific pattern or assigned value. Ni can expand or shrink timelines to create different perspectives. It can encompass the past, present and future, all on one card or it can break these out in any way it feels to be advantageous.

Someone else explained Ni as a shifting of perspectives. This is a bit more applicable since it's fluid and Ni is anything but rigid. The underlying flexibility of the Ni user will determine the flexibility of Ni.

Ni also looks for symbolism and underlying meaning. When someone states something, Ni users will be reading between the lines, tasting nuance and adding any facts known about the speaker to try to create a more holistic picture of what's being expressed.
 
G

garbage

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Not an expert but I'm going to try to put Ni into words, as it appears to me, in combination of words and theories from others.

...

this

Ni isn't particularly hard to describe; people just sometimes overcomplicate things and/or want it to sound 'mysterious.'

.. or they don't understand it.

.. or I don't understand it as well as I think I do.

:thinking:
 

uumlau

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I don't regard Ni as mysterious, but it's still kind of hard to describe. My personal description, how I spot it in others, is that 1) there is a focus on "meaning" as opposed to "definition" and 2) there is a tendency to remember things in terms of functionality/action as opposed to name/title. These properties tend to be regarded as "just knowing" and "tapping into the unconscious" because meaning and functionality are highly abstract and don't immediately translate into words. Ni perceives certain things as "obvious" because it sees the "real meaning" and "functionality", and it is often puzzling when others don't see the same "obvious" things.

In contrast to Si, Si tends to carry around an existing structure, a very concrete internal model of the world, to which new experiences are added. Ni is almost backward from this, observing the world and then hypothesizing what is "really going on" behind the scenes, based on an internal "functional" model of the world, to which new "functions" are added. With Fe, Ni tends more towards hypothesizing about what people are really thinking, what their real motivations are, and so on, and with respect to more technical matters, tend toward a heuristic approach rather than an analytical one. With Te, Ni tends more towards an intuitive understanding of the functionality of things, but tends to fail with respect to people.
 

Perch420

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Wouldn't INTPs and ENTPs also categorize things in terms of their function as opposed to their name or title? Isn't Ne also responsible for "seeing between the lines"? So how would you identify Ti+Ne from Ni?
 
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