The Cyborg
By our mythic time, we are
chimeras,
hybrids,
and cyborgs.
The cyborg is
our politics. The cyborg is a condensed image of both
transformation
and tradition;
appropriation of nature as
culture; the tradition
the reflections
– the relations between
The stakes in the border war
and imagination.
This is an argument for pleasure
and responsibility in construction.
It is also an effort to
imagining a world without
genesis,
a world without
salvation.
Nor does it mark
attempting to heal
the most terrible and the most promising monsters
embodied in
our survival.
a creature in a world; has no sexuality, symbiosis, or other seductions through a final
unity.
In a sense, no origin story
is
an ultimate self untied, a man in
space.
the myth of fullness and terror,
represented by the mother
of history, the twin
myths inscribed
in their concept of labour and gender,
which difference and drama of
Escalating domination.
The cyborg skips the steps.
This is its
teleology as star.
The cyborg is
perversity. It is Utopian, and
innocence. No longer
private, the cyborg defines a revolution of
nature reworked; no longer
the resource for appropriation by the other. The
relationships whole from parts, including domination in the
world. Unlike the monster,
a restoration of the
garden; that is, the fabrication it’s completion, a city and cosmos.
The cyborg does not dream
this time.
The cyborg
The Garden of Eden; it is made of mud.
-
Cecilie K